I love the pre-raphaelite painters Millais, Hunt, Rosetti and Waterhouse. Their incredibly imaginative visual interpretations of Arthurian & Greek legends inspire scrutiny of narrative in paintings. Compositions are arranged like theatrical stage sets, with carefully placed evidence of the storyline rendered here and there, so you’re invited to lean close and look at details. What must it be like as a writer to see your words transformed by talented artists into faces, carriage and gestures on canvas? This monotype (above) from Hamlet’s Ophelia was pulled from the ink quickly, so it has a sketchy, painterly feel to it. I’ve added a light wash of watercolor, and …[Continue reading]
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