Ancient Alien Australian Aboriginal Pleiadian Connection (Video)

Every time we return to the Kariong hieroglyphs walls, my team and I find more archaeology and information.

From the first time we walked onto country, this has always been a work in motion; a mystery unraveling at the behest of the indigenous Elders and spirits of the land. But even so, what we saw and heard this time was beyond expectation.

The two ‘glyph walls were of no concern to our group on this occasion; instead, our entire team – from the scientific to the intuitive – assembled for 4 days of exploration.

We focused on surveying the immediate area around the ‘glyphs, as well as another location some distance away – about which we had received some promising reports of similar archaeology.
 

The Embedded Crystal

We started with the shaft system located near the ‘glyph walls in Kariong NSW.

The shaft walls are incredibly straight and artificial in their construction, and there are several large chambers leading off from the main narrow shaft.

For all the sweat expended and dirt collected, we captured a series of high resolution photographs of the inside of the shaft system and began to take its exact measurements.

The metal jewellery that Koa Elder ‘Aunty’ Minnie Mace had previously found near the back shaft (which she later gave to our us) was impetus enough for one of the dedicated volunteers, ‘Dreadful Dan,’ to travel 700 kilometers with his professional metal detector to explore the shaft site properly.

Dan located five metallic objects in the shaft, the last of which had the whole team excited; it was a piece of crystal embedded in metal.

Uncle Reuben Kelly, highly respected Dhungutti Elder, tells us:

“Our legends tell us that we came to this planet on a space ship made of energy. When it hit this atmosphere, it turned to crystal”… and crashed.

Could it be that we have physical evidence of the explosion?

The small piece of metal measures 3 cms (1.2 inches) in diameter, and has a rectangular crystal embedded within it – which leaves no doubt that the metal was molten when the crystal was set inside. Extremely high temperatures were part of its creation, but whatever took place and whenever it occurred, it certainly wasn’t manufactured by the Original people.

Its proximity to the walls, the other metal objects found nearby, and the corroborating accounts given by Original Elders of an alien vessel crashing nearby leave us with three possibilities:

it is either Pleiadian, ancient Egyptian (running a distant second)… or yet another part of a devious and highly elaborate hoax.

Whenever our team is grappling with an issue of ancient Original history, we invariably seek out the advice of our Original mentors.

The UFO Carving

When approaching the subject with Darkinjung Elder ‘Aunty’ Beve Spiers, we steered away from the ‘glyphs – which ‘Aunty’ Beve has always maintained are “not ours” – and their immediate surrounds, and focused on another newly discovered piece of archaeology; an engraving that can only be described “extra-terrestrial”.

Photo by Ryan Mullins, WuW Founder (c)
 

Created using the ancient Original method of pecking, not carving, this discovery is clearly thousands of years old.

Notably, it bears a striking resemblance to the UFO hieroglyphs on the Kariong walls, in particular the largest five-legged UFO. But this newly found UFO engraving is much bigger, measuring 352 centimeters (11.5 ft) in height , 190 centimeters (6.2 ft) in width, with the longest of its five legs reaching 167 centimetres (5.5 ft) in length.

The semi-circular top capsule is 150 centimeters (4.9 ft) from the top of the arc to the bottom line and is 190 centimeters (6.2 ft) at its widest point.

What is of particular interest is that all UFO ‘glyphs on the Kariong walls are cut or sharply grooved, and according to Aunty Beve were not made by Original people. But this old pecked image, which is a far more intensive and ancient process, was made by the first Australians.

The only difference this five-legged craft has to the biggest UFO carved on the ‘glyph wall relates not to shape, legs or width but height; the newly discovered engraving shows a craft of two levels or stories, while the UFO ‘glyphs on the walls all depict one-leveled craft.

So when comparing the measurements of the two, we must take into account the deliberate difference in height by doubling the vertical measurement of the smaller craft

The numbers that result are so…

• The new larger UFO pecking is 190 cms across, the smaller vessel is 19 cms wide and if multiplied by 10 comes out to be exactly the same width as the larger space ship. A horizontal ratio of 1:10

• The bigger capsule is 150 cms high, while the smaller craft is 7.5 cms. We double the height to 15 cms for comparison with the 2-story pecking. When this is multiplied by 10, we have 150 cms; another identical match match with a 1:20 vertical ratio.

• The longest leg of the smaller UFO ‘glyph is 8.4 cms. As with the recalibration for the height of the capsule, we must also double this figure to keep the horizontal lines in proportion. The resulting 16.8 cms is again multiplied by 10 to complete the comparisons, with a final figure of 168 cms. The longest leg of the newly found ancient pecking is 167 cms in length; a one centimeter difference but a near-exact vertical ratio of 1:20. Needless to say, our team will re-measure the new pecking to ensure our measurements are 100% accurate, in hopes of confirming absolute mathematics.

Nevertheless… these three comparative measurements share exact 1:10 horizontal and 1:20 vertical ratios, with a combined margin of error of 1 centimeter. The figures depicted are identical, each with five legs, bulbs at the bottom, an upper semi-circle and flat base.

Coincidence? Or a genuine example of Original archaeology?

Original Consultation

After a solid day in scrub, we sat and rested on the verandah at ‘base camp’ and de-briefed.

Still full of questions, we were soon joined by Aunty Beve, who at that stage knew nothing of what we had found that day or where. In perfect synchronicity, Aunty Beve revealed to us the story of star-people coming to this area.

Amazingly, we hadn’t even told her about the UFO pecking yet! And until now, Aunty Beve had never passed any comment on the topic of extra-terrestrials. But according to Darkinjung lore, not only did “they” come, and arrive in distress as Uncle Reuben has advised, their stricken-craft also crashed “in the waters at Bambara” in a location that “wasn’t the ocean.”

It instantly struck me! The huge UFO pecking is located on a small rock shelf more than 20 meters from the shore, overlooking the Brisbane Waters waterway.

Brisbane Waters Waterway
 

Aunty Beve paused for a moment, searching her mind for the exact terminology for the vessel that crashed in the “waters” – the ancient words which had been passed on to her through countless generations.

Finally – and never did we doubt it would occur – she recalled how the Elders spoke of this event:

“Carriers from up there, that’s it!”

She also made reference to this area being the “beginning place”, as she had done before.

But in learning that the “carriers from up there“ crashed within a few kilometers of the 300 hieroglyphs, we also learn that extra-terrestrial beings and their craft were an integral part of the “beginning place” and its story.

Back to the ‘Glyphs

The Original lore corroborates our translation of the first panel on the ‘glyph wall, which is replete with alien presence, genetic manipulation and benevolent guidance.

My team and I believe it was at this “beginning place” and time that the more ancient non-Egyptian hieroglyphs (which Aunty Beve also spoke of) were first engraved into rock, documenting the “beginning” – and preceding all other languages and writings.

So when leafing through segments of Mu/Lemurian expert Jack Churchward’s soon-to-be-published dictionary of the language of Mu, it was pleasant – but no surprise – to discover the consistent identical matches between Jack’s Mu script and the non-Egyptian symbols on the Kariong walls. Clearly, the two scripts originated from the same extra-terrestrial source.

I reflected on a comment made recently by Bundjalung Elder and Healer Gerry Bostock:

“As on top, so below”.

Then amongst all the similarities was one stand out; the depiction of a wall ‘glyph that my team has examined in some detail.

I have always disputed Dr. Hans Dieter von Senff’s interpretation that this symbol meant “land’s end”, simply because the “land’s end” symbol has no circle, while the ‘glyph in question is enclosed by a circle. I examined the meanings of other known circled and four-armed ‘glyphs, and deduced from context that the symbol must in fact mean “ancient city”.

And Churchward’s book provides an exact match for the disputed ‘glyph, which he translates as “Empire of …”

Collaboration and Verification

Before continuing I need to pause and clarify.

One of the most strident critiques offered by academics to rebut the authenticity of the ‘glyphs relates to the mixtures of styles claimed to be present on the walls, leading many to claim there is more than one narrative or scribe.

My team and I agree unconditionally. Equally we are just as certain that one of these scribes was an ancient Egyptian recording the deeds and words of Nefer-Djeseb and Nefer-Ti-Ru: that is a fact.

When tracing the older testimonial further back in time, it is the more ancient influence and narrative that leads us off into the night sky, and to the possibilities it creates.

We place the Pleiadian presence and genetic manipulation in the highly, highly likely category.

Nevertheless, our extra-terrestrial conjectures should not obscure the fact that ancient Egyptians arrived here no later than 4,770 years ago, and finally departed around 400 years ago.

Our critics invariably take our team to task because of our lack of degrees in archaeology, anthropology or geology. The truth is that our work is extremely collaborative. We are working with some very highly credentialed (and open-minded) academics, who advise on – and vet – all we report and conclude.

In particular, there have been a number of critical observations made by contributors from outside our core team.

A recent example came about through a high resolution photograph from inside the Kariong shaft system, which reveals the clear right angles and straight edges of what Australian researcher Bob Clutton claims to be a door-way. Further exploration of the shaft system will be required to verify this, but Bob’s observation was a welcome starting point for further examination.

But another recent contribution offers a much more intriguing and radical interpretation.

Author and researcher Richard Gabriel sent us photographs of the shaft walls that have been analyzed, filtered and enhanced through NC2 software. What emerged was so graphic and detailed I thought it best to offer no comment until further consultation with Richard.

One of our other advisers, a man highly versed in ancient Egyptian script, has opted to remain anonymous for now.

He informed us that our reading of the newly found set of 13 hieroglyphs was basically correct, but in need of one revealing addition. Our interpretations of “coffin” and “back door” were correct, but the symbol beside “back door” – which was previously unknown to us – represents a “wooden staff”. And not just any old piece of wood!

A staff, engraved with special symbols designed to protect the deceased in his journeys in the after-life, and spells to ward off evil spirits.

Only Egyptian royalty and those directly related to them were allowed to be buried with such a sacred talisman, so the likelihood that Nefer-Ti-Ru, the son of the Pharaoh, was interred somewhere inside the back shaft at Kariong increases markedly.

Source WakeUpWorld.com and YOUTUBE and Steven Strong

Check out more contributions by Jeffery Pritchett ranging from UFO to Bigfoot to Paranormal to Prophecy