The two-year anniversary of the massacre at the Paris offices of the satirical magazine Charlie Hebdo passed quietly over the weekend. In contrast to last year, there were only a few relatively quiet remembrances for the 17 murdered artists, journalists, staffers, and policemen killed by Muslim extremists.
Zineb El Rhazoui, one of Charlie Hedbo’s journalists who was out of the country at the time of the attack, told France’s Agence France-Presse (AFP) that she is leaving the magazine because it now lacks the “capacity to carry the torch of irreverence and absolute liberty.”
El Rhazoui added, “Freedom at any cost is what I loved about Charlie Hebdo, where I worked through great adversity,” but she now believes the terrorists who murdered her colleagues accomplished what they wanted, as the magazine no longer publishes images of the Prophet Muhammad.
Charlie Hebdo‘s current editor, Riss, tells AFP that “We’ve done our job. We have defended the right to caricature,” but that “We get the impression that people have become even more intolerant of Charlie…If we did a front cover showing a cartoon of the prophet Muhammad now, who would defend us?” El Rhazoui counters that if she were in charge, she would continue publishing Muhammad images, telling AFP that “we cannot permit that our colleagues died for nothing.”
A Moroccan-French atheist, El Rhazoui has been described as “the most protected woman in France” due to her 24-hour police protection. She recently published a book called Destroy Islamic Fascism and last year told the New York Times Magazine:
“It’s totally crazy. I have done nothing against the law and have nothing to hide, yet I live with security while those who threaten us are free,” El Rhazoui declares with an air of shock and anger that underscores the arbitrariness and brutality visited on a 34-year-old woman condemned to living on the run and mostly in the shadows. “And if you call them by their names you are Islamophobic and racist. I am racist? I can teach them a few things about Arab culture. I can show them how to discover its richness and the diversity of their culture. I believe this culture deserves universality because you can be Arab, Muslim and a free thinker.”
It is hard to fault Charlie Hebdo‘s current editorial leadership for being squeamish about publishing images of Muhammad. The magazine persisted in its mission of no-holds-barred militant secularism even after having been firebombed about three years before the 2015 massacre.
Although the immediate reaction to the killing of journalists over cartoons was an international outpouring of support for free speech, very quickly Charlie Hebdo faced accusations that the organization was a racist “white power” publication, and later faced a boycott by 145 PEN America writers over an award presented to the magazine, as well as insinuations from everyone from Pope Francis to John Kerry to Garry Trudeau that the deliberately provocative journalists had somehow asked for their tragic fate.
Charlie Hebdo, which marked the one-year anniversary of the massacre with a cover depicting a bearded “God” figure carrying a rifle, chose a drawing of a laughing man staring down the long barrel of a gun held by a jihadist for the second grim anniversary issue. The accompanying caption reads, “2017, at last, the light at the end of the tunnel.”