The Art of Beautifully Sad: Why We Enjoy Negative Emotions, the Paradox of Tragedy
Recent research in the psychology of emotion has shown that negative feelings are particularly effective in capturing our attention, are experienced especially intensely, and enjoy privileged access to memory. Max Planck researchers working with Winfried Menninghaus, Director of the Department of Language and Literature at the Max Planck Institute for Empirical Aesthetics, were intrigued by these findings.
Based on their psychological model published in the renowned journal Behavioral & Brain Sciences, the researchers have answered this question affirmatively. Their Distancing-Embracing model explains why we often experience artworks involving us in negative emotions as more intense, interesting, emotionally moving and less boring, and, indeed, often even as more beautiful than artworks lacking the spices of negative emotions.
The model is based on two factors. The first has already been well studied: we cognitively subsume our exposure to works of art under a different category than our responses of day-to-day reality. This cognitive distancing creates a kind of protective space in which we can experience negative emotions.
The second factor, the real heart of the new model, includes several mechanisms that allow us to embrace negative emotions in a thoroughly positive way. The first is based on the great importance of variation and dynamics in aesthetic experience: artistic compositions that involve us in interplays of positive and negative feelings are experienced as more varied, exciting and interesting.
The aesthetic power of the representation itself (for example, the beauty of the music, the words, the language and colours) is also shown to render the experience of negative emotions both more intense and more positive. Finally, the search for meaning can result in discovering something positive in negative emotions.
Thus, the Distancing-Embracing model explains the old “paradox of tragedy” of the enjoyment of negative emotions by combining recent discoveries in the psychology of emotion with basic principles of aesthetic perception. The model explains not only why we enjoy certain genres such as tragedies, horror films or melodramas. Rather, it proposes fundamental psychological mechanisms, which are responsible for the perception of works of art or media products altogether.
Contacts and sources:
Prof. Dr. Winfried Menninghaus
Max Planck Institute for Empirical Aesthetics, Frankfurt am Main
Citation: Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S.
The Distancing–Embracing model of the enjoyment of negative emotions in art reception
Behavioral and Brain Sciences, 1-58. doi:10.1017/S0140525X17000309
DOI
Source: http://www.ineffableisland.com/2017/12/the-art-of-beautifully-sad-why-we-enjoy.html
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