White People Are an Endangered Species

by Paul Craig Roberts

Today throughout the Western world the only expression permitted to white people is expression of their guilt. Their function is limited to working tirelessly to elevate their racial and cultural enemies. While people everywhere are organized in an act of self-genocide.

And this despite endless warnings. Half a century ago in 1972 Wilmot Robertson showed in his book, The Dispossessed Majority, that majority white expression in art, literature, and culture was so thoroughly banned that the ban is enforced with pre-censorship by white writers and artists themselves.

As for the classics of the culture, “Chaucer and Shakespeare have been cut and blue-penciled. The motion picture of Charles Dickens’ Oliver Twist had a hard time being released in the US because of the recognizably Jewish traits of Fagin.

The masterpiece of American silent films, The Birth of a Nation, can no longer be shown without the presence of picket lines. Mark Twains Huckleberry Finn has been blackwashed and expurgated by liberal-minded watchdog organizations. As for modern classics, Willa Cather’s The Professor’s House, perhaps her greatest novel, is not reprinted as a paperback because a Jewish character is treated unsympathetically, while Henry Miller’s Tropic of Capricorn has been attacked by millionaire novelist Leon Uris as ‘anti-Semitic.’ Even nursery rhymes and Stephen Foster are being rewritten and bowdlerized.”

“Shakespeare’s Merchant of Venice has been removed from the curriculum of New York City high schools. . . . ‘The prioresses Tale’ is omitted from editions of Chaucer’s Canterbury Tales because it tells of a murder committed by Jews. The Oberammergau passion play, a fixture of European culture since 1634, is under constant attack by Jews . . . a tireless, clandestine literary vendetta is being waged against such towering modern writers, composers and scholars, both American and European, as Eliot, Dreiser, Pound, Toynbee, Henry Adams, D.H. Lawrence, Celine, Roy Campbell, Wyndham Lewis, Knut Hamsun, Franz Lehar and Richard Strauss.” There is, of course no counter vendetta of white artists against those who are erasing Western culture.

Multiculturalism is the weapon that has successfully banned Western literary and cultural achievements, destroyed its monuments, and rewritten its history to serve its racial and cultural enemies. “Diversity” means demonizing white people and replacing their society and culture with those of other races and persuasions. The only remaining career path for white people whether as writers, artists, employers or politicians is service to the elevation of “minorities.” Thus the universal support for non-white racial preferences in university admissions, employment, promotions, and entertainment. No Western politician in office anywhere in the Western world except for Hungary and Poland serves the white ethnicities that once comprised nations and now are submerged in a Tower of Babel. Even the formerly self-assured British are repudiating and dismantling their heritage.

Multiculturalism has stripped the West of unity. [...]