A Rabbi on why all film baddies are white guys.

I once asked a German friend how he felt that each war movie represented always only two specific carricatures of his compatriotes: one was a ‘Goering’, the gross brute; the other was ‘Himmler’, the sadistic individual with blue eyes encircled by metallic glass-frame. He answered with his strong German accent: “O we are used to it”. Today, the carricatures have expanded their collection. The white man is shapeless and false, making him the perfect person to inflict a back stabbing while pretending a friendly move to his unsuspecting victim; he may have some shape in some cases, but it is not without deformities. The white man abuses women and children. He is total crass and is a cause of revulsion. In fine, we’ve come a long way since the war movies where only the ‘boches’ were bad. Now the baddies of the films, it must be admitted, has an influence on the white women themselves: but instead of my German friend who got used to the war movies’ bias, without being affected, the modern women are also used to this movie bias incessant normality, but those women, instead of rejecting the bias, are accepting it since the movies show normal everyday romance and not extraordinary war situations. White women will reject the advances of ‘baddies’, but may dare engaging in court-ship with non-white men. This kind of bias against white men is perfectly accepted because it deals with normal life. It is the first step towards miscegenation, the irreversible symptom of the Kalergy disease. This is what the rabbi wants.