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Key details… ‘Ahu’ are the platforms the two separate areas here show (blue glow) that have seven ‘Moai’ statues standing on them.
UNEARTHING CATACLYSMIC BURRIED MOAI SHOW FULL BODIES, HANDS AND SYMBOLS
The greatest ‘hidden’ records of the Rapanui people seemed to be missing in the most popular books on Easter Island. The details explored here now will speak their long lost secrets. The amazing excavation of an unusual protocol expedition in 1914 called the Routledge excavation project was revisited by recent archaeologists and they re-excavated the intentionally buried evidence for a second time.
How does Wayne know for sure it was re-buried. Its simple. The image of the two Moai in the images that follow have serial names and were shown in a recent modern technology colour image completely buried. They are the same Moai that were shown uncovered in old black and white film from 1915 in the link that follows.
How strange is that just for starters? The first expedition unearthed them and documented the breaking discovery pictographic evidence, didn’t make it public in a big way at all, then for unknown reasons, buried them again! This is insane! What could have been so shocking for them to have been completely covered up again?
The Moai were recently unearthed for a second time and they have it documented here …(ref)
The image below shows how much of the Moai are buried by photoshopping a person between the statue to show size. What logic is there in burying most of the anatomies of the Moai that the craftsmen so painstakingly carved just to place them below soil level. The Moai is covered in beautiful carved symbols and it has long thin arms and hands too.
EASTER ISLAND MATCHES PLACES ON THE OTHER SIDE OF THE PLANET
The thin arms art style reaching forward with fingers pointing down at 45 degrees is exactly like the recently unearthed megaliths at Gobekli Tepe in Turkey. This alone speaks volumes and if this isn’t convincing enough, the two large symbols on the back of the Moai are of the same theme and style too.
By chance having two individual civilisations on opposite sides of the planet, one located in the middle of an ocean, having the same obsession with massive stone carvings and showing the same symbols, story, style and entity appearance is absolutely mind blowing!
Look at the statue of a man unearthed at the Gobekli Tepe site… it has the similar square topped long head and big long nose and long jawline. This is a breakthrough here and it’s a definite link between knowledge and theology.
Question is how did they carry the same story? This will be addressed in the conclusion.
In the image below, one Moai is buried up to its eyes… a substantial cataclysm clue! Here is another obvious clue, many of the Moai have half of their bodies buried but have obscure angles.
Why on Earth would they set an obscure angle like this in a statue ‘burial’ ritual? They simply can’t tilt by themselves with half their body buried. Something cataclysmic occurred here on Easter Island and it was no earthquake either.
THE ‘M’ SYMBOL ON MOAI… ONE SHOWN BELOW THE ‘O’ SYMBOL
In the image below the Gobekli Tepe megalith and statue are superimposed above the Moai statue listed as RR-001-156 for comparison. The ‘M’ symbol is shown beneath the ‘O’ symbol whereas the ‘H’ symbol seen to be Orion at Gobeki – who watched the western horizon – has it placed above the ‘O’ symbol. First thing that came to mind is that the ‘M’ symbol might be Orion here and it would be true if they are celebrating the same star Wayne was looking for fitting the ‘O’ symbol… the ultimate Sun star of the ancients found all around the globe.
But one first needs to be sure on the strange curved 4 lines between the two symbols.
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Stunning archaeoastronomy detail that was buried again after the mysterious 1915 excavation but even before that, appears to have been buried centuries ago, maybe millennia ago by massive soil displacement by what Wayne proposes was a forgotten vey massive tsunami. One that could have stripped all the vegetation and brought an end to the majestic era of the Rapanui people. This raises the possibility that the original advanced culture that founded Easter Island lost its greatness in a very large tsunami. …(ref)
THE BIRDMAN CULT
It would be important now to look for other cases on the island of the four lines symbol and see how the something else fits with it… the strange birdman cult.
There is one carved rock on the eastern part of the island that reveals groundbreaking clues on the meaning of the most obvious symbol: that for the horizon and what was being measured on the horizon.
Verification of sourced image… also the Rongorongo text and birdman cluster …(ref)
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Wayne saw the four curved lines (purple) first and looked a little closer. His first thoughts are they have little symbols that he knew well… they had what looked like comets… (turquoise stars) and three different positions too as if it was a documenting of a large comet in its correct tail facing upward positions over a correctly curved west or east horizon. It depicted an altering very familiar tail angle (its coma) which occurs over the days it seems to be recorded.
This could be the first example of how the terra firma curved Earth horizon was documented, inspiring the symbol on the Moai.
There is another depiction of the comet (green) amongst the birdmen deities… a cluster of birdmen that Wayne believes could be representation of the Pleiades (lowest portion cluster)… Orion (upper portion of three) and a group of three, the solar Trinity obsession he was looking for (with three yellow dots). This is all general speculation for now of course. One needs a lot more evidence first before making such loosely woven claims.
There is a very mysterious round dot interacting with the comet too… but let us not speculate on that at this stage. The Pleiades are in an orientation taking the human face as upright. This suggests that side of the rock was watching the western horizon because the Pleiades would appear like this, and the other side of the rock with the comet depictions were watching the eastern horizon so the earth curve and tails are correct. Just before sunrise is the correct time on the horizon to look for comets.
BIRD HEADED DEITIES WHO CAME FROM THE SKY IN CELESTIAL SHIPS
Compare in the image below the birdman depictions which are found all over the island. They are part human and part bird just like in Egypt and Gobekli Tepe. In this comparison here note the Easter Island deity holds a sun… just like in both Egypt and Gobekli Tepe. There is another interesting connection here. The Gobekli Tepe animal pelt… either leopard or fox was seen as a status symbol for Egypt deities too. African tradition has chiefs of tribe adorned with the same status.
Why did different cultures here choose the same theme for their leader’s status? Why not chose more obvious themes, like a simple crown or necklace? Was it just a coincidence perhaps?
Isn’t it likely these ancient civilisations were inspired by the unthinkable, something scholars hate with a passion, something that has been officially denied in history by universities because it would mean a rewrite of almost everything they have proudly protected for centuries.
The birdman stone holding what Wayne believes is the ‘sun’ star – British Museum …(ref)
It matches the Gobekli Tepe bird deity perhaps holding the same sun-like ‘sol’ star ref…
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TSUNAMI ENDING OF A GREAT EMPIRE
The obvious answer here is confirmed by the debris surrounding the buried Moai. It has debris common with flood zones mainly with mud sand and pebbles… the kind of pebble and greyish clay found after a tsunami. But this event must have been one that would have been far bigger than the Japan and Indonesia events combined.
Was this the end of the great period of Easter Island, it probably was. It seems probable because the building of statues and the building with megalithic stone ended. From here forward perhaps after a lot of their valuable trees and edible plants were lost they would have probably believed the gods were angry with them. In defiance of the gods they probably started to topple the last standing Moai and this went on for a long time according to records. The last remaining people of the island were toppling them again during the visits of great explorers in the 18th century when the island experienced another disaster. This time it was an invasion for slavery.
THE RONGA RONGA TEXT OF THE RAPANUI PEOPLE
In the image below the pictoglyph nature of the Rapanui text called “Ronga Ronga” is almost the same as the Naxi Dongba texts. Both seem to be using the star patterns themselves and bird head people as actual spoken word. Note the Naxi dongba text has three crosses as stars perhaps next to a cluster of six markings. The Easter Island text of Ronga Ronga also has two very common characters in texts speaking of their celestial deities using a group of seven dots and a group of three dots in a row and a group of three crescents in a row that resemble the mask worn by the Rapanui people in ceremony (see mask in depiction in purple lower down).
There is one very interesting association of text to something Wayne researched in the Christ star map story: three star entities together mean three wise kings. The Magi he proposed represent the three that follow from the east associated with finding the location of the Christ ‘Bethlehem’ star… the stars of Orion’s Belt as a sacred cosmic pointer… the ‘forgotten’ cross of the churches.
Is this just a coincidence or are we seeing evidence of a global teacher passing through ancient civilisations.
Text source …(ref)
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THE FACE SYMBOL – WEARS A SPECIAL MASK – WHAT DOES IT SUGGEST?
After discovering the importance of the Kanaga symbol and mask of the Dogon tribe in West Africa, Wayne couldn’t help wondering the connection here was also the same …(ref)
The Dogon celebrated Orion with a special mask. What were the chances this mask which looks like the digit ‘3’ wrapping around the eyes, perhaps birds wings suiting the bird head deities seen below and seen repeatedly in the stone carving that follows. Is it Orion?
There is one carving that shows one wearing the bird Orion mask and has light blazing from his head… like the Greeks, the Maya and American Indian cultures more so than the others…
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Lets have another look at the earlier birdman stone carving (repeated below). It is found in the Eastern territory near this depiction of a Rapanui face.
There were two clues on the stone carving that use a symbol of a ‘3’ … it is also possible it could be a bird as if in flight. But it wasn’t until much later this symbol would be proven as Orion when Wayne recognised its importance as a bird deity on another Moai.
For now consider in the image below the bird mask ‘3’ symbol is shown twice next to the birdman with three yellow dots suggesting it was measured on both horizons with that collective pattern and it is seen documented below the horizon with the comet record.
Compare the crescent shaped eyes in the mask (purple) to part of the Ronga Ronga text image (above) that uses three crescents as this same face when speaking of their celestial deities. Are they showing crescents as a face in dual meaning of the place the faces come from… worlds associated with the ‘sol’ star, the sun-like star that becomes quite clear as the story unfolds.
The last interesting symbol is the omega symbol (orange) but that is for a later date involving wormhole theory which will take away the flow of this story.
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DISCOVERY OF THE BIRDMEN AS STAR DEITIES AND THEIR HORIZON SYMBOL
While comparing the symbols on the backs of the Moai in the earlier image from the re-excavation site and from the website ref showing more images, it was clear the Easter island people had the exact same clear obsession with the stars like all other ancient civilisations.
The first thing to bear in mind right now is their texts have utterances just like the ancient Egyptians speaking of gods from the sky and their arrival in canoes. Now here is the thing. It is all very well for scholars to avoid the star visitor hypothesis and say their gods came across the ocean like they do but that’s mocking their own intelligence.
All the clues so far point to the sky. The archaeologists seem to avoid the dots on the Moai as stars and look for more terrestrial solutions.
Compare the canoes with lines beneath them. Scholars insisted this symbol is spoken as ‘vaka’ and are the ‘canoes’ of the ‘gods’. Then almost contradicting themselves follow on to insist the 4 curved lines are spoken of using the same name! This explains the ‘flying terrafirma’ celestial ship reasoning for Wayne, and that would by logic also be spoken of as the same as Earth terrafirma. …(ref) (see both illustrations of the backs of the Moai)
There is another strange thing about the Orion masks. Here is reference to what scholars claim some strange Maya glyphs found in Georgia… which show similarity to the Orion mask star reference resembling the number 3 …(ref)
BEHOLD… ARRIVAL OF ‘BIRD HEADDED’ GODS NOT OF THIS WORLD IN SHIPS
Bird headded ‘gods’? … people of flesh and blood not of this earth are hardly ‘gods’. In Wayne’s book ‘The Hidden Records’ he presents an obvious interpretation of why ancient cultures would say they had ‘bird heads’. Consider a motorcyclist for example wearing a helmet with his visor or sun shield peak up. It looks like a bird with open mouth. The maya show more mechanical detail in some depictions, and in others they put the mans face in the open mouth of the bird!
The Moai depiction below is the ‘not of this world’ breakthrough here. The celestial boat depictions by the way are common and found on many other statues. The bird depiction with wings in position like the digit 3 seems to represent Orion poised with the stars and a fleet of celestial ships above the western horizon while one special sun-like star is in place here on the horizon. Ancient Egypt also found the place to measure stars is only done on the horizon.
Image source and stunning unearthing of the Moai covered here …(ref)
But the importance in identifying the fleet of celestial ships here is another Egyptian symbol match… the art of giving each little ship its own mini Vaka… its own flying terrafirma
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HORIZON SYMBOL – THE KEY TO UNLOCKING THE SECRET SYMBOLS
Since a comet is being measured across a few bands as shown in purple on the moai like in the previous rock carving of the birdmen… it is likely this multiple line of bands is the horizon…. The most sacred apparently to the Rapanui people… the Western Horizon.
Here is another Moai with birdmen and Orion poised in its appropriate place. We will test this all on a star program and see what we find below the horizon where the strange McDonalds’ style ‘M’ is depicted.
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The ancient Rapanui people seem to revere the ‘sol’ star on the horizon just like in Egypt and on the Western horizon like Gobekli Tepe. The connections to the archaeoastronomy are convincing so all that is needed to solve the mysterious M symbol is look below the horizon. Wayne already knew there was a sacred constellation below the horizon because Angkor in Cambodia revered the lower constellation. …(ref)
This finding on its own is of great importance in reasoning the validity of the star map hypothesis. Compare to Angkor and more importantly see how all the brightest stars around Perseus convincingly display an ‘M’ formation in its correct orientation as it slips below the horizon. Note also how the middle of the ‘M’ has an extended lower line… another breakthrough… it passes right through the Perseus ‘arm’ that aligns with the Pleiades. This all makes sense and quite simple knowing in advance how important this area of stars are.
It was Perseus… but would those stars mark out the never seen before M constellation.
The star program was set to a reasonable ancient date around 4000 years ago and set to winter solstice on Western horizon … Perseus is part of the symbol…
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THE 7 MOAI WATCHING THE WESTERN OCEAN REVEAL THEIR SECRET
All Moai have the mysterious fixed trance-like stare set just above the horizon. All special Moai on the Ahu’s also watch inland direction and skyward… except one.
This must be a substantial clue because we have another group of seven Moai that once all had head stones on the Ahu AKivi. (See map for position and orientation).
Wayne is absolutely convinced at this stage that the Pleiades seven stars are being represented here by the seven majestic Moai like they were correctly depicted by a cluster of birdmen as stars in the rock depiction.
Where have we seen this unusual stare? The Sphinx in Egypt has it. Yes… it is watching something above the horizon and it leaves a few possibilities. Due to the stare set substantially above the horizon the statues were unlikely to be looking at incoming voyagers.
The obvious options here are they are either watching for the return of their deities or the movement of celestial bodies in the sky… the stars.
This proposal of the Seven Moai on the Ahu watching Orion was presented by another researcher J.A. Belmonte some time ago who studied the celestial knowledge of the Rapanui people. He believed the spoken word for Orion was the word: “Tau-toru”
Wayne believes the similar sound to Tau-rus here might not be coincidence because when watching the setting of Taurus on the ocean, Orion is literally and symbolically chasing Taurus the bull, as in a hunting legend that stands in Greek mythology as well. …(ref)
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THE SECRET OF THE MOUNDS IN CONTEXT WITH SEVEN MOAI
Wayne discovered only recently that not many researchers speak of sacred mounds but no excavations have proven if they were manmade or hills that were sculptured. The first group we look at here are the three mounds in a row as seen on the map on the eastern part of the island.
Wayne believes after close study on the geology here that these three (one partly washed away) are natural formations, however, they seemed to have a little more detail associated with them suggesting they might have resembled something they would know very well. Orion’s belt perhaps? If you look very closely at the image especially on Google earth, there are very slight traces of what might have once been an enclosure built around the three mounds. Also a friend of Wayne’s who went there to verify if they were natural mounds ‘thinks’ they are perfectly round because they have been altered with blocks.
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For now most would say this is not much at all to go by at all and one of the reasons Wayne held back for some time. He believed it was not a conclusive case and the enclosure maybe wasn’t much to consider at all or the claim very worn block ruins are found around the edge are proven. That was before more discoveries would inspire this to be looked at again.
THE THREE MOST IMPORTANT MOUNDS – THE FIRST PLACE – AN AHU OF SEVEN
The second set of three mounds was what some scholars briefly mention as a cluster of three as well but in triangular formation. Wayne read it one cold misty weekend in 1998. It was a rainy day and he remembers it well. He reached out for one of his favourite books: The Worlds Last Mysteries by Readers Digest printed in 1977 page 100… they briefly spoke of sacred mounds then just change the subject and moved onto another aspect. This always stayed fresh in his mind. It was this memory rekindled in 2004 when he read another article that also suggested similar, saying they were no doubt sacred because this particular cluster of mounds was found at their one and only beautiful Beach bay on the northern territory.
Wayne went onto Google earth and looked for the bay… sadly the resolution was so poor that the mystery had to wait for its moment. Just a few months ago facebook had been passing some new images around showing the full length of the Moai that were most common.
It was time to see if the new Google Earth images were updated… they were and they showed the detail he was looking for.
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The three mounds are replete with remnants of artifacts and stone chips all over them, some faint building detail also seen clearly. The one mound near the beach has a small causeway to one single Moai (highlighted red and enlarged) The Ahu Nau Nau of seven Moai have an alignment and orientation that can be measured too.
It is time to compare them to the star map blueprint as seen in the animation earlier.
Although this is not the clearest of ancient star map themes as seen in Egypt and Stonehenge and all the others it still has a layout plan that makes better sense when considering what we have seen so far. They had a star obsession… they believed Orion was important and Perseus measure the position of in most instances one Sol star on the horizon or two of a group of three set together and they are right next to the Pleiades.
It is reasonable to therefore consider the three mounds here are representing the three sun-like stars Wayne has presented in the full starmap theme.
Not just that… the alignment of the Pleiades is quite appropriate with the Ahu aligning with the rising and setting Pleiades stars at a certain time of the year at special unknown viewing times at night. What were the chances the alignment date correlates with important times when to plant and when to harvest their crops? Some experts are looking at this because it all depends what time of night this viewing took place. It makes all the difference and we will wait on the experts for that who will compare it to the correct planting and harvesting seasons for whatever their main crop might have been. Lots of unknowns but updates here will follow.
The interesting thing here is that if the star map interpretation is true, the Rapanui people seemed to choose the star that Wayne found of second most importance in his star map hypothesis. The same star that is tied with what Wayne believes is the first solar system of human evolution. A place where other star maps seem to present it with the human blueprint code geometry … It’s the star depicted by the five sided pyramid in the Mars star map… …(ref)
Human blueprint geometry code… …(ref) a star system that in the cases studied suggests we evolved from apes to advanced humans there before colonising other solar systems like ours.
CONCLUSION
All the deciphered detail involving stars here is new and made by Wayne. It was obviously an easy exercise measuring it to see if it carried similar clues to what he deciphered in other ancient civilisations. The ultimate question has to be addressed now… and Wayne has asked this before… how did all these ancient civilisations that you see in just this story here and on his websites carry the same story? Was it civilisations travelling around unbelievable difficult distances around the globe meeting other foreign cultures with foreign language and sharing their story, which by the way would be quite extreme and quite farfetched story to peddle to another ancient civilisation.
That theory is impossible, because history shows war was the norm with foreign people of different language so that leaves only one other possibility. Scholars hate this obvious but impossible to avoid theory and its simple…
1) Almost all ancient civilisations carry the same star visitor claim
2) Almost all ancient civilisations show celestial ships and mostly bird head deities
3) Almost all ancient civilisations built unique megalith structures
4) Almost all ancient civilisations show pieces of the same star map
Here is another thing one has to add to this article… Did all ancient civilisations lie about their claims… and if so… how did they all concoct the same grand lie of all time?
All ancient civilisations had exactly the same obsession with star visitors… people who are most likely our ancestors returning to try and teach us who we are and where we come from. But what did our people do… they worshipped them as Gods. See all the other accounts of the repeating star map here and the 3 sun-like star definitions in astronomy …(ref)
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This project is striving to release enlightening knowledge considered forbidden by many powerful institutions.
Please consider helping my quest revive the hidden truth about the sacred equality of all humanity tied into this ancient secret…
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©The Hidden Records® 2012 |
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FULL SCREEN/NORMAL OPTION – PRESS F11 |
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Credits – References – Copyright – General summary and dates for top seven ancient starmaps explored in The Hidden Records book by Wayne Herschel
Egypt (1997) A new pyramid star map interpretation is published © Wayne Herschel and Metal book codices. (See Sun-like star on this site). Metal books – Jordanian Codices – books of lead and copper found in Jordan hold the same star map evidence of Orion as the sacred cross and Menorah as Pleiades as the Solomon Key cipher.
Wayne Herschel, author © The Hidden Records – At Stonehenge, the ‘Da Vinci human code is found between the Trilithons. (Wayne Herschel author The Hidden Records). In Guatemala, the Tikal pyramids replicate the Pleiades; (Wayne Herschel author The Hidden Records) and at Angkor, pyramids representing Perseus show the way to the Pleiades. The Metal book codices made of Lead and copper from Jordan to be evaluated by scholars. Thoughts are that the metal books are in custody of Jordanian authorities. The circumpunct lost symbol of Ra synopsis:
Ref: (Wayne Herschel author The Hidden Records). Metal book codices found recently in Jordan lead to discovering the Face monument at Succoth called Deir Alla. This Deir Alla face monument has ties to the Jordan metal book codices since they were found in a cave nearby in Jordan. In conclusion The Hidden Records unlocks the secret code of all the pyramid builders: The shocking message reveals who we are and where we come from, and it was not meant to be deciphered by ‘mortal man’…The ‘code’ is only unlocked when viewed from the sky. It was concluded therefore without doubt, that the message is ancient and thus intended for their so called ‘gods’ of flesh and blood, who came from above! (See book synopsis on website for more detail of The Hidden Records book © Wayne Herschel author 2011 Metal book codices inc.
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links don’t work, no pics nothing….plausible….
Article is formatted poorly. Many parts are unreadable.
Please fix. Sounds interesting.