They Live! Interdimensional Creatures On The Mountains Of Madness

PART 1

By Paul McGuire
November 12, 2013
NewsWithViews.com

On a recent History Channel special I watched a documentary on how Adolph Hitler and the Nazis seduced a nation, and the psychological dynamics that go along with that process. One of the first steps is that ordinary people begin to lose their innate power to discern good from evil in people. As young boy growing up in New York City, my atheist mother, a card carrying member of the ACLU, taught me how to read people by what their faces and eyes projected. There was a time in America when this was just plain old common sense.

We now live in a world where people do not seem to be able to recognize the strong messages that our cultural, religious and political leaders are sending us through their facial countenance. To be blunt, most often when a person looks evil they are evil, plain and simple.

But I think this basic truth goes deeper than that. I believe there is a direct relationship between the incremental moral choices people make and their openness to spiritual energy and to what might be called interdimensional beings. Quantum physics and String Theory tell us that we live in a multi-dimensional universe that consists of something like vibrating strings. Some physicists believe that it is this vibration which creates what we call the material world. Perhaps the words in Genesis 1:3: And God said, Let there be light: and there was light, is not as farfetched as some people think it is. The idea that some kind of great consciousness which the Bible defines as the Personal Living God used His Word as some kind of vibrational command to create matter and energy. To speculate further (and this is nothing more than speculation on my part), sound is a longitudinal vibration in air or other matter, and light is a transverse vibration in space, in the ether. Perhaps God’s word is a strange kind of longitudinal vibration in the ether…a kind of sound and a kind of light all at once, both the Light and the Word of Truth. Perhaps God’s Word is the ether, an ether that is a matrix of waves.

Both biologists and physicists are telling us that our DNA is actually transformed by emotion and thought. In addition, when people are healthy they actually glow because they produce bio photons within them. What if evil people and good people live on different vibrational frequencies and the energy they project is based on that specific vibrational frequency? The Bible tells us that we are the temple of the Holy Spirit, which means that our physical body holds not only the Third Person of the Trinity, but some kind of vibrational frequency.

Dr. Leonard G. Horowitz, author of “Musical Cult Control: The Rockefeller Foundation’s War on Consciousness Through The Imposition of A=440HZ Standard Tuning,” believes that ancient religions like Christianity and Judaism used music to elevate Man spiritually. The original Solfeggio music scale which was equivalent to the note “C,” was 528 Hz. According to Horowtiz, in September 1939 Rockefeller and Illuminati financial interests dictated that the standard tuning for the note of “A” above middle “C” would be precisely 440 cycles per second.

The British Standards Institute adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, the British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440 Hz had been rejected by British musicians only three months prior, Josef Goebbels persuaded the BSI to adapt 440 Hz, saying it was of extraordinary importance.

Dr. Leonard Horowitz writes “Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.” If you think Horowtiz’s research is something out of a science fiction movie, do a little research into the background of the musical scales of the Grateful Dead.