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How to Make a Drypoint Etching from Recycled Plastic, and Print it without a Press

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This is a post from Belinda Del Pesco’s Art Blog Belinda Del Pesco.

Drypoint Etchings on Recycled Plastic Sheets

So far, I’ve experimented with Drypoint etching print from a Trader Joe’s biscotti container here, and a monotype print from a recycled plastic blueberry container here. In this post, we’ll go over a Drypoint from a plastic lettuce container, and we’ll keep the process super simple. We’ll print the Drypoint without a press, by using a cereal spoon.

This is a twisted scribe, or a Whistler’s Needle, named after painter and printmaker James McNeill Whistler

Etching and Engraving Tools

Plastic printmaking plates are soft enough to engrave with a sewing needle taped to a chop stick. But if you have the means to get a twisted scribe (see them here on Amazon), I’d recommend adding one to your art supplies.

A stainless scribe will make engraving plastic (or traditional copper) plates much easier, and you’ll have it for the rest of your art-making life.

Three engraving tools for creating a Drypoint on recycled plastic: (top to bottom) a diamond tipped scribe, a cork handled engraving scribe and a twisted scribe, or Whistler’s Needle.

Recycled Plastic Produce Containers Make Great Drypoint Plates

With a sharp tip held like a pencil, you can draw directly on a sheet of smooth recycled plastic to create a drypoint etching.

If drawing is not your jam, you can lay a photograph underneath your plate, and trace the shapes onto the plastic. (If you do this, it’s a good idea to tape both the photo and the plate to the table to keep the two sandwiched in place while you’re drawing.)

And if holding a scribe or an engraving needle for long periods of drawing time results in aches or pain, you can also use an electric engraver (like this one) to speed up the process.

The best place to find a flat sheet of plastic on produce and baked goods containers is often under the label, or somewhere on the lid.

If you don’t have plastic containers in your grocer’s produce and baked goods sections, check out snacks, candies and nuts. Just think: food treats and art!



Clip the lid from the box with craft scissors (like these). Soak the labels in warm water and roll the paper off the plastic.

Use a bit of vegetable oil on the glue – massage it into the glue with a paper towel to break it up, being careful not to scratch the plastic.

Wash the plastic with dish soap, and use craft scissors to trim off relief logos, ridges and raised boarders, to get a nice, flat sheet of plastic.

Tape your reference photo and your plastic plate to a table, or a sheet of cardboard or mat board. This will make it easy for you to rotate the photo/plate assembly while you’re drawing, to get good scribe traction on longer or curvy lines.

In this example, I’ve just outlined the shapes wherever there was contrast. I plan to add watercolor, so there’s no need to crosshatch shadows, since I’ll add those with pigments later.

Before you ink the plate, wash it again with dish soap, and dry it thoroughly. Your ink won’t stick to the plate if there are fingerprints or tiny plastic particles floating around. If you have an old phone book, it works perfectly for inking and wiping small intaglio plates.

A bit of packing tape under the plate will help to keep it from moving while you’re rubbing your printmaking paper into the inked line work.



While rubbing your paper into the line work, you’ll be able to feel the spoon move over the drawing. Hold your paper steady with one hand, and peek under a corner to ensure that you’re rubbing hard enough to collect ink.

After pressing the soaked and blotted paper (this paper works best for hand-transfer and adding watercolor–>BFK Rives Lightweight printmaking paper) into the inked plate with a spoon, the Drypoint print is drying in the studio.

After the ink is dry, you can paint your print edition with watercolors

You can also add collaged elements, or additional drawing details to the print. You’re the Boss.

https://youtu.be/86nRWW4PV9M
Here is a tutorial video to show you how to make a drypoint etching from recycled plastic without a press.

If You Need a Reason to Buy Cookies

I hope you’ll try this drypoint etching process on a recycled cookie container. It’s fun, relatively quick, and you can print an entire edition at your kitchen table.Let me know in the comments if you’ve tried making one, and leave a link where we can see yours. Also, feel free to leave any questions about the process.

Thanks for stopping by and I’ll see you in the next post!

Belinda

P.S. Watch printmaker Karen Wicks pull two tiny drypoint etchings made from a medication packaging box.

After a trip through the press, pulling a drypoint etching print off a black acrylic plate to reveal the ink transfer – from the ink embedded in the grooves on the plate, to the printmaking paper

Art Quote

Unsen Mountain is a woodblock print (ca 1927) by Hiroshi Yoshida. Yoshida was an avid traveler, outdoorsman, and hiker, and he captured the beauty of various scenes through these prints. He took inspiration from 19th-century European watercolorists and added Japanese traditional ink painting themes to depict the landscapes. This print (10 x 16) captures the Unsen Mountain from across a river. The low tide of the river exposes the surrounding sand and terrain. Many people are on the sand in their swimming suits and boats are portrayed in the center of the print. The size of the mountains contrasts the small size of the people and emphasizes human interaction with nature. Yoshida also uses this print to depict one of the pastimes of people.

The post How to Make a Drypoint Etching from Recycled Plastic, and Print it without a Press appeared first on Belinda Del Pesco’s Art Blog Belinda Del Pesco.


Source: https://www.belindadelpesco.com/how-to-make-a-drypoint-etching-from-recycled-plastic-and-print-it-without-a-press.html/


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