Antoine Renard & Libby Rothfeld. 1999

1999, ANTOINE RENARD & LIBBY ROTHFELD
exhibition view at Marsèlleria, Milan, 2017

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ANTOINE RENARD, Floor Arrangement #3, 2017

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ANTOINE RENARD, Floor Arrangement #3 (detail), 2017

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LIBBY ROTHFELD, Eye of the Storm, 2017

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1999, ANTOINE RENARD & LIBBY ROTHFELD
exhibition view at Marsèlleria, Milan, 2017

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LIBBY ROTHFELD, Flyer, 2017

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LIBBY ROTHFELD, How Come You Only Want Tomorrow With Its Promise of Something Hard to Do, 2017

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1999, ANTOINE RENARD & LIBBY ROTHFELD
exhibition view at Marsèlleria, Milan, 2017

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ANTOINE RENARD and LIBBY ROTHFELD, Interfaith Rack IX (large cross), 2017

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ANTOINE RENARD, Floor Arrangement #2, 2017

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ANTOINE RENARD, Untitled (DJI-0002), 2016

all images courtesy of the artists and Marsèlleria, Milan
photos: SARA SCANDEREBECH

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While walking in a city, one of the best moment is when all the street lights go on like it would be the sign of a spectral presence. A few minutes before this almost unpredictable moment you are just trying simultaneously to walk and to adjust your eyes to the dusk which is flattening every details that could have made the place significant.

Those electric gaps into public space triggered some unlikely comparisons with the exhibition currently presented at Marsèlleria in Milano.

The result is an exhibition entitled 1999 which juxtaposes and mingles two works, revealing affinities and provoking unexpected associations between them while highlighting the individual perspective of each artist.

Nevertheless both of them have make works that employ materials and methods from the built environment that seems to engender at Marsèlleria cryptic, hostile and mystical human activities in the space.

1999 with ANTOINE RENARD and LIBBY ROTHFELD is on view at Marsèlleria, Milano until April 14, 2017.

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