Illuminati: What Sweet Music They Make

I have once again been dragged into the conversation of music awards and how popular music today seems to be under the control of the Illuminati. I know that I have received countless e-mails defending against some ongoing Illuminati plot where I have allegedly said that Beyonce Knowles is a known agent and several others. I believe there is a difference in reporting about the conspiracy and the nature of it rather than coming out and saying that Beyonce or anyone else is an agent of the Illuminati.

However, this does not change the open conspiracy of singers and entertainers that have gone on the records as saying that it is hard to escape the witchy things that are happening in the industry and how the art of performance has been now targeted and used to convey negative and in some cases Satanic imagery.

Every new style of music has been greeted with suspicion by some. The Greek philosopher Plato wrote, “A change to a new type of music is something to beware of as a hazard to all of our fortunes. For the modes of music are never disturbed without upsetting of the most fundamental political and social conventions.”

When underground filmmaker Kenneth Anger convinced Mick Jagger of The Rolling Stones to write the song “Sympathy for the Devil,” Satanism had its first marked effect on rock music. Mick Jagger once joked that all it took is one song and immediately the Rolling Stones were accused of worshiping the devil.

During the Halloween season Ground Zero wanted to get to the bottom of what exactly spawned the Satanic Music industry and we achieved a rare and valuable interview with Jinx Dawson of Coven who pioneered the use of occult imagery in music and what it was that fueled that rebellious nature of music.

Occult Satanism began to reveal its controlling influence through many channels of the music industry, and according to Dawson it was very real then, and now those who used the Devil to get where they are now, have abandoned their Satanic roots and have left it up to the pop music crowd that have arguably followed the piper into a new form of satanic psychological warfare.

The topic of Satanic controls in the entertainment industry is a bittersweet subject because it often falls into the trap of being a religious argument rather than a cultural psychological phenomenon.

Using the term Satanic puts out a religious filter and from there religious bias destroys the important discussion of psychological effects and not effects of the spirit or the soul.

Playing your Led Zeppelin albums backwards to get some satanic message will not condemn you to hell, but using the religious argument, doing anything of the sort is like playing with an Ouija board or playing with the tarot deck.

John Lennon once said that the Beatles and rock and roll were bigger than Jesus; afterwards he realized what he had said and apologized because he understood the difference, but it is sad to note that many demon frightened Christians will not or have not forgiven the statement, giving the argument that perhaps at that particular time in history Lennon was right.

Rock Music in the 1960s and 1970s gave the occult a dominant force and eventually things with occult overtones were “socially accepted” by a mass amount of listeners. Today, the occult plays out its satanic rituals through modern pop/ contemporary musicians and award ceremonies in front of millions of deluded humans.

Like it or not the occult overtones in moist music and performance will not go away. We are fascinated by under heroes, psychopaths, and those who appear to be different, or under a spell.

Seeing it as a performance makes it safe, participating or mimicking it can create a cause for alarm and as always parents are warned that what the popular stars are doing is part of a “programming” or a “working” to get audiences to change their ways of thinking and to unleash the primal powers that exist in each of us.

Now arguably that can be seen as evil, lascivious, or harmless. However the story remains quite open and there is no conspiracy or plot. There are many people in the music and entertainment industry that have claimed to have sold their souls to the devil.

The power grab here is illustrated when we witness the abuses that many stars have been subjected to in the music industry. We have seen many tragedies play out in front of the paparazzi as stars like Katy Perry, Britney Spears, Lady Gaga, Ke$ha and others have confessed to being erratic, selling their souls to the devil, and being sexually abused by their handlers.

The music adds to the power to things like sex magic, an violent ritual abuse. These occult handlers and Illuminati masters gain energy through humans who are manipulated into trances.

These short to long trances provide a way for Lower Entities to enter into the unconscious mind. When they are invited in, they go to work inside the mind. The lower entities extract needed energy.

Music throughout the twentieth century has progressed from innocent to good, and progression from bad too outright vile. Strangely, around the world people are listening to emotionally numbing and trance inducing negative music. Induced trances allow suggestive thought complexes that derive from the songs that mention immorality, rebellion, death, incest, madness, anti-social themes, and infatuation presented as love.

We have not yet approached a time where mankind has decided that his art should reflect themes of love, solidarity, fraternity, positivism, and the promotion of life.

If anyone has taken the time to notice, hip hop music has done a great deal of effort to create anger, civil divide, and sexual perversion and not enough effort in creating positive protest against such behaviors. This is why we see people taking stands against social ills that they can’t put their finger on.

That is why we see American riots and rioters turn on themselves and not on their real enemies. In other countries we see protests where those who rebel attack government buildings and places where the government operates.

In the United States anger in protests and riots unexplainably turns on business owners and innocent individuals that become victims to the trance and the transformation of angry programming that is being pushed by the elite.
Does that make you question just what all this programming leads to and who is responsible?

Rock and roll music in the 1960s and 1970s had a rebellious tone to it. It spoke out against such matters of the police state, the militarization of the country, and needless warfare.

Now popular music promotes it, ritualizes it, and gives it acceptance. Pop culture directly portrays occult and Masonic symbolism. Illuminati symbolism is becoming so clear that an analysis of musical performance art becomes a simple exercise of the obvious.

We also see that many of these artists try to break away from the Illuminati imagery and ritualism and later become blacklisted or even dying mysteriously.

It’s a striking fit that celebrities are promoted to success only to be destroyed by pernicious influences. It can be seen as a blue print or a script that creates a bit of theater for the sick and depraved power hungry music boss. It is a blueprint that allows the elite to flex their control over lives and even commanding that someone dies. Many will argue that Tupac Shakur, Michael Jackson or Whitney Houston met that fate. There is also the tragic story of Jennifer Hudson where her mother, brother and nephew were all brutally murdered by her sister’s ex-boyfriend. Some claimed that there were illuminati ties to the murders, and that Hudson made a deal with the devil for her success. Hudson emphatically denies the claims. If Hudson made a deal with the devil for success as it has been rumored, then she got a bad deal from the devil as her career has been mediocre for some time.

Hudson has addressed the issue head on and has said that a true child of God would not participate in or help the Illuminati. It can also be noted that Hudson does not deny that the Illuminati controls the music industry.

No artist has denied the existence of the Illuminati. They all say it exists, that some people are part of it. Justin Bieber during an interview for MTV once said that it is funny how many people who are in the music industry claim to be in the Illuminati. He was hoping for a response but his interviewer uncomfortably joked about it until Bieber confessed that he wasn’t in the Illuminati.

While there are internet conspiracy theorists that claim that the Illuminati is everywhere and that sudden deaths of pop stars and movie stars are Illuminati hits, there needs to be a bit of restraint and critical thinking about such accusations.

Many of these so-called “hit” stories are nothing more than made up disinformation in order to generate more hits on a website.

This does not mean that perhaps the Illuminati does not have some power in some situations, but most internet conspiracy theorists do not know the extent of that power and while some people can string together “coincidences” and high weirdness with any event, the theorist really does not know where the power of the Illuminati begins or ends and what motive a nebulous organization such as the Illuminati has.

We just assume that they make the rules, that they have plans and that everyone wants to be in on what they are doing or what they are about to do next.

It is something that keeps us talking and listening — it is a mystery that does not give us definitive answers and for some that is all that is desired. It can easily be determined that a billion dollar industry has to be somehow connected to the Devil.

Tonight, Clyde talks to Freeman Fly about significant symbols in the recent American Music Awards.

Text – Check out Ground Zero Radio with Clyde Lewis Live Nightly @ http://www.groundzeromedia.org