Finding “The Lost Science” of 2001: A Space Odyssey

The film 2001: A Space Odyssey brought space science to the general masses. Today we may consider it as common place, but in 1968 when the film was released, humankind yet to walk on the Moon. We certainly didn’t have any experience with Jupiter. Yet somehow the producer, Stanley Kubrick, successfully peered into the future and created a believable story. One of his methods was to employ Frederick I. Ordway III as his science consultant. While Ordway has since passed, he left behind a veritable treasure trove of documents detailing his work for Kubrick. Science author and engineer Adam K. Johnson got access to this trove which resulted in the book “2001: The Lost Science – The Scientist, Influences & Designs from the Frederick I. Ordway III Estate Volume 2“. It’s a wonderful summary of Ordway’s contributions and the film’s successes. What makes a movie? A plethora of ingredients must come together. But most of all, the audience must accept it for what it proclaims to be. For instance, a science fiction show must wander about in space and/or time. And the audience has to believe the wandering. In the 1960s, the general audience had little knowledge of space and could conceivably believe in anything. Many films used expediency over truth, such as using a gun to shoot a capsule to the Moon. However, to validate his film, Kubrick enlisted Ordway from the Future Projects Office of the Marshall Space Flight Centre. Presumably this alone would have added large amounts of veracity, but Ordway took on the challenge as we see in Johnson’s book and pushed further. Ordway interviewed many scientists and engineers. Many of these came to the set to provide advice. Ordway acquired drawings as well as made his own schematics. He went to industry, academia and governments. Johnson skillfully brings this all to light. How did the results mesh with this effort? That is the value of Johnson’s book. It gives credit to the breadth and depth of Ordway’s research. The book’s first section identifies the knowledge sources; people like Willy Ley, books such as Beyond Tomorrow The Next 50 Years in Space, and organizations such as Boeing and its PARSEC project. It identifies the individuals who came to the filming sets to give advice and has many images of the sets as well. The second section gives credit to preceding films, though it’s not certain from Johnson’s book as to how or if Ordway drew inspiration from them. Its third and final section is probably the most fun as it provides many figures of the mock-ups, drawings and schematics. It includes a great full page image of Space Station V and a four page pullout section of Discovery X-Ray Delta One. There’s also an interesting note therein that indicates that the sets and props had to be thoroughly believable from every perspective, as they didn’t know where Kubrick may place the camera. Thus, the book gives the reader a taste of the fine detail for some graphics such as for the Moon Bus. With Johnson presenting all this from Ordway’s collection then it’s easy for the reader to understand why there’s a high sense of believability to the film. Yes, Johnson’s book shows the amount of knowledge that was available in the early 1960s and that Ordway gained access to much of this information. The very large size of this book, about 11in by 14.5in helps show off many great images throughout. However, its size also suggests the style of the book; that is, it is a scrapbook. The book is a wonderful compendium of information relevant to the film 2001: A Space Odyssey. But it doesn’t add to the knowledge base. It’s an excellent repackaging of existing material with only a little suggestive comments on cinematic technique that might be original. And, as with most scrapbooks, the value of this book is the images. While the text is informative, it’s also somewhat dry, so the reader will probably feel much greater reward from feasting on the many print reproductions, drawings and photographs within Johnson’s book. Perhaps the greatest value of this book is what goes unstated. That is, with enough effort and research people can construct a likely overview of humankind’s progress into the near future.  A future than can be thrilling. The book “2001: The Lost Science – The Scientists, Influences & Designs from the Frederick I. Ordway III Estate Volume 2″ by Adam K. Johnson captures some of the excitement and thrill as humankind lay poised upon the edges of travelling into space. Reading it will give you pause at just how far we’ve progressed in the last 50 years. And perhaps get you thinking about what the films of today might be telling us about the next 50 years.

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