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Jurassic World's Family Values Are Deceptive

Friday, July 3, 2015 6:13
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Jurassic World, which has grossed over a half billion dollars in the two weeks since it opened has been touted as a return to traditional gender roles.
Aspen shows how this is not so. The 
film is more insidious affirmation of feminism than ever.

by Aspen

Jurassic World appears to be a film about Family Values, True Masculinity, Loyalty, and the Triumph of Good over Evil.

As one critic wrote, “The film did present a pro-male and pro-family perspective with Christ [sic!] Pratt garnering some livid social justice warrior hate for being a male hero… By the climax of the film, [actress] Bryce Dallas Howard’s bitchy CEO persona has been humbled, and [actor] Pratt’s masculinity has been vindicated”.

Nope. Sorry, boys. It’s a mind-screw, deliberately designed to sow seeds of confusion and contradiction targeting gender roles and family life — and every critic missed it.

It’s no coincidence that Jurassic World was released concurrently with the supposed “trans-gender” choices of Bruce Jenner. Every male figure in this film is either rotten, weak, impotent, corrupt, overconfident, or is eaten by females.
Have we seen any celebrity woman, anywhere on the planet, boasting of having been tortured all of her life by the need to be A MAN? Where have we seen a celebrated feminine icon, who has decided to get a dick transplant, and who is now a functional “male”? Is there a Vanity Fair cover I haven’t seen, with Angelina Jolie sporting a bulging set of briefs and saying, “Call Me Angelo”?

It was NEVER the plan to turn women into “men”. Sure, there are a few women out there who pursue that. So where are they? 


It’s the MEN who “WANT” TO BE WOMEN THAT EVERYBODY LOVES. It’s the Pretty Boys of Thailand, the bearded tranny who won the Eurovision event, and “Caitlyn” Jenner.

IT’S THE MEN that are the target. Nobody CARES about the transgender women. They don’t make the news.

Why not? BECAUSE IF YOU KILL THE MEN, and crush their testicles, and give them breasts, and inject their lips with collagen, and paint their eyes, and foster a feelings-centered ethic of “vulnerability” and situational stupidity, then…you’ve won the war, without firing an actual bullet. The fight is over before it ever started.

To illustrate how JURASSIC WORLD — and by “jurassic”, they mean “the way you USED TO think about Men and Women” — sows confusion, let me explain.


The plot of the film devolves around the reckless creation of yet one more genetically bastardized dinosaur, a multi-hybrid freak that is notably larger, fiercer, and more formidably genetically fortified than the Tyrannosaurus Rex…and which, it is revealed, is FEMALE. This “Indominus Rex” has been succored and fed within a closely-guarded jungle enclosure.


In all of this we see an inverted mirror and mockery of the Biblical report of the creation of Man and Woman, and a bloodthirsty overturning of God’s natural order. The enclosed garden area is a type of Eden. The rapacious and murderous Indominus Rex is a vile version of Woman, enticed by the reptilian wiles of the serpent, satan. She is a wicked Eve, who having found satanic “power” in her “liberation” from the natural female stupidity of the natural order, first slaughters all that is Male, and then seeks desperately to escape from the insufferable confines of God’s Law.

And that is what happens in this film. The INDOMITABLE FEMALE engages in some highly intelligent reptilian trickery and escapes from her enclosure, whereupon to wreak havoc in the forms of: killing strictly for the sake of the joy of killing; causing general chaos; destroying the local economy; ruining the lives of nearly everyone involved. Steal; kill; destroy: the satanic manifesto.

Who does she eat first, upon escaping? THE MEN WHO GUARD THE INTEGRITY OF THE NATURAL ORDER. The Security Guards.

NOW, to the humans and the “family values” of the film.


The human male lead of the film is actor Chris Pratt, who plays an ex-Navy consultant named Owen Grady. He’s interpreted by film critics as representative of Real Masculinity. Why? Let’s tally his strong points:

He is handsome and muscular.
He drives a powerful motorcycle.
He is outspoken, headstrong, and incorrigible.
He is the only person who somehow magically understands everything that everyone else doesn’t understand.


The female lead of the film is Claire, the Operations Manager of Jurassic World. One aforementioned critic claims, “By the climax of the film, [actress] Bryce Dallas Howard’s bitchy CEO persona has been humbled.”

That is NOT what this film portrays. She isn’t humbled: she’s raped by circumstance…and she LIKES it! How liberating, eh?

She’s not a feminist. She’s not even the CEO. She’s just too busy to be a WOMAN.

She’s a female who has become caught up in a corporate and societal web where at every turn the true authority is by natural order the masculine. Her boss is a man. Her antagonist is a man. The head scientist in the lab is a man. The surprise hidden military uber-mensch in the plot is a man! Even her two young nephews one-up her at every given opportunity.

SHE’S IMPRISONED IN A MALE ENCLOSURE! She’s…Homo Indominus Rex!…sort of (her nails are manicured and gosh-darnit, she keeps those high heels ON).

It is not until Claire tears apart her corporate uniform (wagging her buxom cleavage, conveniently), and picks up a rifle, and acts like a soldier (in high heels) that she is offered the slightest modicum of deference by any male character in the cast. She’s a compromised woman clinging to her female tokens while pretending to be a tough guy.

Is that “a bitchy woman being humbled”? It is not. It is Hollywood feigning to honor natural gender roles whilst vomiting on a rolling basis against natural gender roles by turning them into cynical and cyclical pornography.


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