How were the Mysterious Ancient Nazca Line Images Created?

by TS Caladan_May 2016

BENDEDREALITY.COM

Could the famous images and lines, more than 2000 years old, found on the wide/open Plain of Nazca have been created from the air? Countless researchers have considered this (obvious) idea since there is no highpoint to direct production of the ancient depictions in this barren area.

From the ground, Nazca lines make no sense. The gigantic pictures etched into dry dirt are only clearly viewed from far above. We discovered Incan fortresses atop Andes Mountains only because of the flights of modern airplanes and so too were the Nazca images first seen or deciphered. We had to fly over these old mysteries to find and fully appreciate them.

The LINES portray a spider, a monkey, a lizard, a dog, a whale, fish, other oddities like aliens and various types of birds. Not only do the lines form imagery, another major mystery is:

PERFECTLY STRAIGHT LINES that continue for miles on the strange plain (marked) from long ago. Investigators have speculated that the extended, straight lines were “landing strips for Ancient Astronauts.”

How were they done? Who did them? Why, what were they? My conclusions or answers are:

• Lasered (sprayed) from high in the air by ships’ computers.
• Devolved Indians after the more advanced Incas and long before Old West Indians.
• SIGNPOSTS

Consider the desert Plain of Nazca is almost like the surface of the Moon. There is no rain; there is hardly erosion or much entropy at all. A MARK, an unnatural gouge or indentation, will survive the sparse weathering in this part of South America (Peru). Let’s look at the big images:

Lasers are a logical answer to the straightness of lines that go on and on for miles. They were probably done very quickly and with definite purpose. Such a conclusion comes from the exactness of the lines, the order, their precise placements, constant width, etc.

The lines of images don’t start and stop:

LINES OF THE IMAGES ARE A CONTINUOUS MOTION as if ‘pen never left the paper.’ There are no crosshatch marks. The artists did not go back and fill in spots with separate lines. Each image is one masterfully crafted design [probably produced very quickly] burned into the ground with a graceful, swirled, extreme sophistication of a diamond-cutter or engraver IN MOTION FROM THE AIR~ Were the pictures made (laser-etched) from COMPUTERS on board the crafts, with set image-programs, that had symbolic meanings: directions/features/data?

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