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Copyright 2017, InterAmerica, Inc.

While listening to Bach’s Partita No. 2 on Music Choice today, I realized that my pal, Jose Antonio Caravaca’s idea of an “external agent” that dominates his Distortion Theory could be applied to other events and creative endeavors.

Jose’s DT provides the idea that an outside influence – an external agent he calls it – has taken occasion to intrude upon a UFO encounter, maybe even creating the encounter, causing those immersed in the encounter to experience a bevy of images and feelings that come from within them (their memory bank or unconscious). The “encounter” they have is a staged scenario, created by Jose’s “external agent” to push the idea of UFOs along or maybe just to screw with the witness/participant.

Jose put it this way, in material I got from him for a post I had here on March 6, 2017:

Let us try to explain what are the basic principles of the DISTORTION THEORY (DT). One of the main points to be clarified, before starting, is that DT does not defend that the UFO phenomenon has a purely psychological, sociological or hallucinatory origin, all contrary, it is PRODUCED, in the first instance, by the INTERACTION / COMMUNICATION OF AN EXTERNAL AGENT UNKNOWN (UAE), INTELLIGENT AND INDEPENDENT TO THE HUMAN BEING, with a witness that describing experiences with UFOs. To achieve its objectives, the EAU “CONNECTS” with the psyche of the observers to “extract”, from the individual and exclusive unconscious of them, intellectual material (found in hobbies, culture, cinema, literature, etc.). The purpose of MANUFACTURING / PROJECTING an FICTION ALIEN VISITATION (for example, landing of a flying saucer and its occupants).”