“Disclosure Day”: A Movie About the Coming of an Alien Messiah

Warning: Otherworldly spoilers ahead!

If I were an alien who was looking to be accepted by humanity as a deity, I’d hire Steven Spielberg (the top human filmmaker) to make Disclosure Day. Then I’d have Emily Blunt (humans love Emily Blunt) play an alien messiah who is relatable yet all-powerful. The movie wouldn’t convert the world overnight, but it would plant a seed that would slowly grow and bear fruit in preparation for an actual … disclosure day.

Spielberg is an obvious choice: He’s a veteran in creating alien movies. From Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982), War of the Worlds (2005), and even Indiana Jones and the Kingdom of the Crystal Skull (2008), Spielberg has made aliens either lovable friends or terrifying enemies.

However, Disclosure Day is different. Aliens aren’t friends or enemies; they’re saviors who appear to humans just as they’re about to blow themselves up. And accepting these aliens comes with an important spiritual component.

Of course, considering this is a major Hollywood movie in 2026, the occult elite’s signature is all over it.

If we knew aliens existed, some would probably call Disclosure Day “pro-alien propaganda,” because something about it goes beyond “entertainment.” It feels as if the movie is preparing the world for something – Not only the disclosure of aliens, but the religious shift that would come with such a revelation.

Through an odd blend of religion, technology, and a heavy dose of mind control, the movie makes for perfect predictive programming material sponsored by the occult elite. Here’s a look at the movie’s main themes.

Lack of Faith

The contents of Daniel’s bag are potentially earth-shattering: It proves that the Department of Justice, along with a company named Wardex, “collected and repressed known instances of extraterrestrial visitation to our planet.” Wardex has also “confiscated, reverse-engineered, and manufactured technology based on recovered debris.” To make things worse, Kellner has proof that the government “engaged in the interrogation and mistreatment of the non-human occupants.”

Daniel and a group of other ex-Wardex employees stole this top-secret information from the company and plan to disclose it to the world.

Until then, Daniel has to hide from Wardex agents with his girlfriend, Jane. And this is where things get very religious. That’s because Jane (played by Eve Hewson, Bono’s daughter) is an ex-nun who used to live in a monastery. And she’s very confused.

While running from Wardex agents, Jane suggests that Daniel hide in the Monastery where she used to be a nun. And it’s all very symbolic.

There is no St. Clare of the Dawn; it is a made-up name, probably inspired by St. Clare of Assisi. It is one of the many “liberties” the movie takes with Christianity. Why didn’t the filmmakers use the actual name? And why St. Clare of the Dawn specifically?

For starters, in the Bible, Lucifer is dubbed “Son of the Dawn”, so that’s an odd reference to start with. Furthermore, the word “clare” means “bright,” while Lucifer means “light bringer.”

As we’ll see, the concept of aliens bringing light to humanity is of the utmost importance. In other words, this subtle name change of a saint foreshadows Christianity’s “transition” to a new form of religion, complete with a new “savior”.This is reflected in Jane’s character: she used to be fully devoted to God but has, in her words, “lost her calling.”

Later, she states that she left the church not because she stopped believing, but because she could “no longer say with certainty that God is divine.”

That’s a very confusing sentence to digest. If God is not divine, then what is left of God?

Continuing in the same line of thinking, Jane believes that disclosing the existence of aliens would shatter humanity’s belief in God. She tells Daniel:

“We’ve been raised to believe in a supreme being and now you want to show us actual supreme beings? People can’t handle both.”

By casually dropping the term “supreme being” when describing aliens, Jane places aliens in a god-like status – a trend that continues throughout the film.

New Gods

Wardex agents identify Jane as the “weak link” to track down Daniel. To do so, they use alien technology to take control of her mind and body.

This scene is an “Aliens vs Jesus” showdown for the control of Jane’s already confused mind. Who will win this battle? Take a wild guess.

Later, Jane discusses with one of her nun friends what God means in the context of aliens existing. She asks:

– Does God love only us? Because Genesis says that we’re his supreme creation, but do you think …
– On Earth.
– What?
– Genesis. It says we are God’s supreme creation on Earth.

This dialogue implies that the Bible leaves the door open for God to create supreme beings outside Earth, like on other planets. To many viewers, this sentence was a mind-blowing revelation that reframed their entire belief system. However, again, none of this is in Genesis or the Bible. It is yet another liberty taken by the movie makers to create a loophole where aliens can be “supreme creations” as well.

As we discover later in the movie, those seeking to disclose the existence of aliens to humanity are not merely sympathetic to them; they see them as deities who are “closer to God” than humans. At one point, the main advocate for aliens says:

“They regard empathy as an evolutionary advantage, as the foremost evolutionary advantage, in fact, at the core of animate existence. Our rejection of this is leading to our extinction. In Vivo 17 is non-human but nearer to God than you or I. You do not need to fear them.”

With all that said, why would Steven Spielberg (who is Jewish) make a movie that specifically focuses on the fall of Christianity in the context of the disclosure of alien life? Wouldn’t all religions be affected by such a large event? It might have something to do with the fact that the movie’s protagonist is basically a female Jesus. But also, the exact opposite of Jesus.

Mind-Controlled Alien Savior

In Disclosure Day, the social-political context is dire: The world is on the brink of a nuclear war, and people are freaking out.

In this anxious context where humanity nears self-obliteration, the alien “supreme beings” decide to make themselves known. To do so, they “activate” their two messengers, Daniel and Margaret.

And right from the first scene involving Margaret, strong symbols suggest she’s imbued with a heavy dose of Monarch programming.

That symbolic shot not only creates a one-eye sign, but it also alludes to what happened during her original programming, as we’ll soon see.

Of course, butterflies on a wallpaper could be merely decorative and have nothing to do with mind control. However, the movie leaves strong hints for the astute viewer that the wallpaper’s design is far from random.

Toward the end of the movie, we see how the aliens programmed Margaret as a child. At this point, the symbolism above makes perfect sense.

The Original Programming

In this scene, Young Margaret sings Someday My Prince Will Come from the movie Snow White and the Seven Dwarfs. The words she sings foreshadow what is about to happen, in a rather creepy way.

“Someday my prince will come
Someday we’ll meet again
And away to his castle we’ll go
To be happy forever I know”

Recalling this event, Margaret says she was taken to Hansel and Gretel’s house. That’s an odd reference. Because Hansel and Gretel is a fairy tale about a girl and boy who live with a witch who has cannibalistic intentions.

After this flashback scene about Margaret’s programming, the movie cuts to adult Margaret in a highly symbolic setting.

After reliving her programming story, Margaret was ready to bring the world the alien’s “Good News.”

The Ministry

Once activated, Elizabeth immediately turned into a divine being. Her “empathetic” powers allow her to know every personal detail about a person just by looking at them. So, whenever someone tries to stop her mission to disclose alien life, she tells them very personal details about their lives and completely disarms them.

At first, Margaret is confused and hesitant about her role as an alien messiah, but she ultimately embraces it. She is the aliens’ chosen messenger, and she eventually does what she was meant to do: Go on TV and disclose the existence of aliens.

But, before doing so, she does what any good messiah would do: Perform a miracle.

After broadcasting video evidence of aliens on Earth to the entire world, the alien believers gang have another big surprise.

The movie ends with Margaret saying “Listen,” leaving the all-important message a mystery. Did it reveal that humans are actually alien-and-animal hybrids? That aliens are actually Earth’s creator gods? That the FIFA World Cup was rigged? Big open-ended mystery. But it doesn’t really matter. The movie accomplished its primary role: To frame aliens as divine beings.

In Conclusion

Disclosure Day is definitely not the first movie about aliens, but it rings different than most of them. For instance, in Independence Day, the world comes together (especially the United States) to resist alien invaders and send them back where they came from. In Disclosure Day, the context and the message are entirely different. The world is beyond repair, and humans are on the brink of annihilating themselves. Aliens are not enemies, but highly evolved, near-godly beings that connect with humans in a highly spiritual way.

To make themselves known, aliens have groomed and programmed a man and a woman to act as the link between aliens and humans, the same way Jesus was the link between God and humans.

In short, Disclosure Day is about more than entertainment; it is a “disclosure day” on its own. However, it is less about revealing the truth and more about converting the world to their Luciferian religion.

The post “Disclosure Day”: A Movie About the Coming of an Alien Messiah first appeared on Vigilant Citizen.

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