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Watercolor Landscape Studies in a Sketchbook

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This is a post from Belinda Del Pesco’s Art Blog Belinda Del Pesco.

Watercolor Landscape Studies in a Sketchbook

I’m testing another watercolor sketchbook with a series of small watercolor landscape studies featuring coastal scenes. I used a ruler to grid 12 squares across a double page of a Hahnemühle Watercolor Sketchpad. (There may or may not have been accompanying crackers, olive tapenade and wine involved in this experiment.)

Printing Thumbnail Photos to Sketch and Paint

I store all my photos on my Apple computer, in the cloud, using the Apple Photos Application. You can choose to view of All Photos in that app, and then hold the command button down on your keyboard, and click/select – one by one – a bunch of photos to use as a reference.

When you’ve chosen 12 photos in a theme (similar color palette, subject, location, or pattern, etc.), print them as thumbnails (press command key + P, and then select the layout from the panel on the right). This is one of my favorite exercises for quick sketching, watercolor, monotypes or pastels…

Using reference photos of shorelines to render basic, blocky shapes in light pencil on a Hahnemühle watercolor sketchbook.

Wooden Block Puzzle Sketching

Set up 12 boxes in your sketchbook with light pencil, and then pull your thumbnail photos close.

With light pencil, lay in general shapes, as though you planned to cut a wooden puzzle from your drawing. (See more about simplified landscape watercolor sketching here.) No details. Eliminate complexity, edit out figures, or foreground, or even shapes that jut into your composition.

Be the Art Boss, and Prune all but the basic, largest shapes.

Sketchbook Practice – Notes for Watercolor Artists

You can see previous sketchbook tests, reviews and posts on this blog over here:

  • One of the things that might be challenging about using sketchbooks is the small format. What if you want to paint really big? Here are 11 reasons to paint small, at least some of the time, especially if you’re just starting out.

Keeping with the wooden puzzle analogy, the first layers of color, visible in the squares to the right, are just flat, transparent washes of background color. This alone is a great practice, to make yourself search for that color, temperature and value in each thumbnail’s background shapes.

Using a watercolor glazing method, I’ve layered more transparent glazes by squinting at the reference photo, and then painting the shapes in warmer or cooler colors, on top of my blocky base-shapes.

You can see how each layer of colored shapes are built one on top of the other in these squares: the lower right is one layer of color, the upper right and middle two are two layers of shapes, and the two painting sketches on the left have 3 and 4 layers of shapes. Does that makes sense to you?

If you don’t have a series of shorelines to paint from in your reference photos, take a walk in your neighborhood, and snap photos of hedges, trees, fences, landscape textures, intersections, mailboxes, front doors, flowers or street signs. Take photos of a spoon on your counter in the sun from several angles with different drop shadow patterns.

Up close, each square is a small abstract. I wasn’t trying to paint a cliff. Just paint the shapes.

Some of them are more “noodled” than others…

And I even did a little “lifting” of color on a few to lighten areas in the pigments

The Sketchbook

I’ve written about this watercolor sketchbook before, and I think this is my third Hahnemühle watercolor book.

The paper is cold pressed, and to my hands, there’s a little less “tooth” to the surface, compared to Etchr and Moleskin Watercolor Sketchpads. You can see it in the photos that show close ups. I like that.

There are 30 sheets in the book, and I paint on both sides without any rippling or bleed-through. You can lift non-staining colors, and scumble and drybrush on the surface without it pilling or marring.

But overall, they are simple shapes of color, in various hues and values, layered, as a practice session

DO you think you’ll try this as an experiment in your sketchbook too?

Shareable Items of Interest for You

  • Australian photographer Alexander Khimuchin spent 6 months traveling through the rough terrain of Siberia and the surrounding regions to photograph portraits of the people he encountered in remote villages. See some of his amazing photographs here, and note the creativity and design in almost every garment.

  • For the past decade or so, I’ve subscribed to Jonathan Jansen’s very thorough blog Essential Vermeer. This week, he shared an interesting visual catalog of Vermeer’s paintings in chronological order, in their current frame, and in scale so you can see which paintings were larger, and which were tiny. You can click on the title of each one to get more details. I was quite surprised at the size of many of my favorite Vermeer paintings.

Keeping Busy

I hope you’re keeping your hands busy with art projects. I know creative time is much harder to get to these days. Especially if you have littles to home school, and everyone in your family under the same roof 24/7.

Try leaving sketchbooks, or notepads or even a few sheets of printer paper around. Pile them with a sharp pencil in strategic places around the house for a quick sketch or scribble or doodle.

I’m rooting for you from over here. Even if all you do is trace your hand and give your fingertips hats and glasses and neckties, that counts as something fun and artsy, don’t you think?

Thannks for stopping by, and I’ll see you in the next post!


Free mini video course: Six Tips to Paint More Often

The post Watercolor Landscape Studies in a Sketchbook appeared first on Belinda Del Pesco’s Art Blog Belinda Del Pesco.


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