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Reduction Linocut Printed in Four Colors without a Press

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This is a post from Belinda Del Pesco’s Art Blog Belinda Del Pesco.

Making a Reduction Linocut without a Press

As a perpetually Distracted Person, making a reduction linocut was always a wish, but it got suppressed by uncertainty.

I made a reduction woodcut in a printmaking class I took a few decades ago. It came out terrible, with too many layers of thickly rolled ink. The surface of my print felt like a vinyl quilt. But, awful results are the expected outcome when you try anything just once, right?



Linocut Video Tutorials

When I started filming printmaking tutorials for my youtube channel in 2014, a reduction linocut was high on my list. My goal was to use a very simple design, on a small block.

Making a multicolor print by carving, and then printing consecutive colors, from the same block, on top of each previous print is a brain teaser! After a lot of reading, planning and note-taking – I was ready to proceed.


Tearing Printmaking paper down to the right size for my little block




You can make a registration jig for your relief prints using cardboard, a ruler, a pencil, a utility knife and masking tape.


Registration jig is finished. And the block has been carved and inked so that when it’s printed, the white of the paper will show through the first veil of very transparent blue ink.

Building a Registration Jig

After researching all the ways to register printmaking plates or blocks, aligned to paper, for reduction or multicolor prints, I settled on a cardboard jig for its simplicity.

If you’d like to make this little cardboard assistant, here is a segment from one of my other reduction linocut videos, to see how to make a cardboard registration jig.

You might also try visiting this post if you’re looking for more of a basic overview of linoleum block printing.


After rubbing paper against the inked block with a spoon, the first color is printed. Some of the sharpie magic marker has transferred as well. I printed over that area with a darker ink, so it didn’t matter. But still, try using a marker other than a sharpie if you’re printing all light and transparent colors.


linocuts drying from a rack
Using a Rubbermaid shelf with wooden clothes pins to dry the first color of this reduction linocut

What is a Reduction Block Print?

A reduction block print is a multi-color relief print. It’s usually created with one block, carved and printed repeatedly for each color on the print.

For a three color print, in an edition of 10, the first carving and printing is usually done with the lightest color.

The block was inked in the lightest hue of the three ink colors. To leave room for the inevitable registration or transfer mistakes in an edition of 10, that first color was (in this case) printed in the registration jig on 18 sheets of same-size printmaking paper.

The block is then carved a little more, based on the design and color overlap. (If you use transparent inks, layers of consecutive colors will create new colors.) The second color ink is rolled into the block, and then aligned, and printed on top of each of the 18 previous color prints.


Pulling the second color after a little more carving from the block. This layer was a very sheer yellow ochre, which printed on the 1st color blue as meadow green. :)



Reduction Linocut Block Process Continued

The same block is carved more. The third and last color – usually the darkest color – is rolled onto the remaining parts of the block. Once again, the inked block is aligned in the jig.

One by one, the block is inked and pressed against the 18 color prints to finish the design.

If you’re a text-based learner, this article by the Wichita Art Museum on the reduction woodcuts by printmaker Leon Loughridge is great. His finished print is lovely, and it was created by using three different reduction blocks! His website also has a simple, graphic representation of the woodcut process here.

a reduction linocut in process
The third color on this reduction linocut – a semi-transparent shade of neutral gray, with just enough carved from the meadow to preserve a little wedge sections of green. Do you see it in the print?

Printing the Last Color on a Reduction Linocut Print

As a beginner to this process, it’s easiest to print your lightest colors to darkest, in sequence. It also helps to consider what you’re preserving as you carve your next parts from the block.

Think of the word reduction: you’re carving to reduce the printable area. In reverse, you’re removing material so it won’t print on top of the last color you just printed.


The last color will be printed from very little remaining on the linoleum block.


printing the last and darkest color on a reduction linocut of two rabbits in a meadow
Printing the last color after carving more away from the linoleum block

Relief Printing a Reduction Linocut

The last color in this reduction linocut was a cool, transparent blue-black. When you watch the demo video below, you’ll see that each color was transferred using a spoon (no press required).

This makes linoleum block printing something you can do at your kitchen table. Or, weather permitting, take the project outdoors and work on a picnic table, a balcony, or a patio chair with a lap desk.

https://youtu.be/lRy5lvrWsa0
Here is the video tutorial for this four color reduction linocut print.

Make a Linocut Print

I hope you make a linocut after watching this tutorial video (above). Here is another tutorial on a two-color linocut. Even if you opt to make a single color print (see this post about linocut ideas for beginners) I hope you have fun.

With a few basic supplies, a simple design transferred to the block, and a flat surface to work on, you’re all set. Listen to music, chat with a friend, zoom with another artist while you work, or listen to an audiobook (I’m listening to this book – and loving it!)

If you have any questions, leave them for me in the comments, and I’ll respond soon. In the meantime, happy making, and good wishes for busy hands!

See you in the next post -

Belinda

P.S. Check out my friend and fellow printmaker – Rich Fowler’s post on reduction linocuts here.

https://youtu.be/tB4tTziQnPc
Here is another reduction Linocut demonstration from my You Tube Channel

Art Quote

Popular doesn’t mean better by any absolute scale.Popular simply means that more people like this thing than that thing.Popular isn’t an act of genius. Popular is either an intentional act (to serve a particularly large, homogenous audience) or a lucky break.The most direct way to become popular is to serve the audience that made the last thing popular. By that definition, popular almost always means ‘not better.’ It simply means that you found a large group and gave them what they wanted.The world likes popular, but it doesn’t have to be your goal.

Seth Godin

a linocut print painted with watercolor showing a swing band under a canopy
Another linocut – printed in black, and painted with watercolor. More on this figurative linocut over here.


Watch this Free Video Course: Six Tips to Paint More Often

The post Reduction Linocut Printed in Four Colors without a Press appeared first on Belinda Del Pesco’s Art Blog Belinda Del Pesco.



Source: https://www.belindadelpesco.com/reduction-linocut-rabbit-meadow-4-color.html/


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