People with a wide range of diverse knowledge and skills are often described as “Renaissance men.” One of Europe’s great Renaissance men was actually a medieval woman, Hildegard of Bingen.
Born in 1098 in Franconia (in what would later become Germany), Hildegard left her mark in mysticism, in music, in medicine and the natural sciences, and in the contentious religious and political questions of her day. Today she is remembered by music scholars, feminists, natural healers, and also devout Catholics (especially since her canonization in 2012.)
In The Beginning
Hildegard was the tenth child of a wealthy and devout family which gave her ‘as a tithe’ to the church when she was only eight years old, sending her to a Benedictine monastery at Disibodenberg which had just begun to accept nuns.
When she entered the monastery Hildegard had already begun to have visions which came to her surrounded by ‘a light so bright that [her] soul trembled.’ She had also figured out that other people didn’t see that light, and had decided to keep her experiences to herself—although she couldn’t conceal the physical sickness which often accompanied or followed them.
Under the care of a brilliant and ascetic nun named Jutta, Hildegard learned to read and write, studied a variety of holy texts in Latin, and took holy vows when she was old enough. Jutta became Mother Superior, and on her death she chose Hildegard, who was then thirty-eight, as her successor.
Hildegard’s administrative duties didn’t stop the visions pressing on her. She tried to keep these secret, but the effort exhausted her and finally made her seriously ill.
She confided her visions to a monk who helped her record them. In the midst of her illness she heard a voice which told her to speak and write of her visions, and she obeyed, recording them as they happened and also writing long commentaries on her interpretations of those visions and the flashes of insight which accompanied them. These drew some anxious scrutiny from people higher up in the Church, but the examiners eventually decided that her visions were legitimate.
The Pope wrote to Hildegard expressing his approval. Hildegard wrote back telling him to work harder to reform the Church.
As the record of her visions spread far and wide, many girls and women came to study and live under Hildegard. The women’s quarters in the monastery became crowded; Hildegard may also have felt the need for more independence from the monastery’s abbot.
Hildegard had absorbed her teacher Jutta’s learning, but not her asceticism; she believed in moderation, and seems to have regarded the human body with fascination rather than suspicion. Most importantly, Hildegard believed God was calling her to leave the monastery and found a new convent and church for her nuns.
The abbot was very reluctant to let them go, but Hildegard persisted and finally persuaded an archbishop to overrule the abbot. She purchased land and oversaw construction of their new House at Rupertsberg near Bingen on the Rhine.
Hildegard paid attention to details of the building (which included water pumped in through pipes, an unusual feature at the time) as well as administration (the nuns were free to elect their own Mother Superior without interference from the Disibodenberg monastery.) She did send part of the dowry money that had come with the nuns back to Disibodenberg. At last Hildegard had the space and freedom to pursue the physical and spiritual understandings which she prized.
Hildegard wrote many books explaining the order of the natural world, the cosmos, the human body and the human soul—all of which she saw as naturally and inextricably interrelated. The dichotomy between science and nature would have been alien to Hildegard. So would the treatment of people as somehow separate from their environment.
In her book Scivias (Know The Way) she wrote,” “The soul in the body is like sap in a tree, and the soul’s powers are like the form of a tree … The intellect in the soul is like the greenery of the tree’s branches and leaves, the will like its flowers, the mind like its bursting first fruits, the reason like the perfected mature fruit, and the senses like its size and shape. And so a person’s body is strengthened and sustained by the soul….” Elsewhere she described humans as responsible for helping God to redeem, not only all humanity, but also all the living world.
Hildegard’s Book of the Subtleties of the Diverse Nature of Creatures combined religion and philosophy with explanations of natural history and practical remedies for all kinds of wounds, infections, poisonings and diseases. She even included a section on veterinary medicine.
Some of the herbal remedies she recommended resemble those that are commonly used today—though given the long gap of time, the things we’ve learned since, the vagueness of the dosages and the errors introduced as the book was copied over and over by hand, it’s not recommended to use her book as a practical basis for treatment today.
Hildegard’s creativity extended to music as well as writing. She wrote a compendium of 70 religious songs and also composed musical plays. In her view music allowed humans to join the angels in praising God, and much of her music came to her in visions. Ensembles are still recording her music today—or at least some approximation of her music; musical notation in her day was quite different and somewhat obscure, taking the form of neumes instead of notes.
Influence and Controversies
Hildegard ‘s visions also urged her to instruct other people firmly in God’s will, and she seems to have done this without fear of consequences. She wrote firm letters admonishing the Holy Roman Emperor Friedrich Barbarossa (the ruler of Germany) for planning to dismiss a bishop of whom she approved; later, when two different Popes were named by different factions of the Church, she opposed the Emperor’s choice and told him so in no uncertain terms.
Despite this she was not punished as many others were who dared to challenge the Emperor. Besides this she wrote letters to many other prominent people and went on preaching journeys even when she was elderly and in ill health.
Hildegard was eighty years old when she buried a knight who had been excommunicated by the Church in holy ground. She explained that he had confessed and received the last rites, and he clearly deserved Christian burial.
Cathedral authorities ordered her to exhume him. She refused and concealed the grave so no one else could dig him up. Placed under Interdict, she continued to insist that she was right, and eventually the Church gave way—in time for her to be buried in honor and in peace.
To learn more about Hildegard see https://www.bingen.de/en/tourism-culture/hildegard-of-bingen/her-life
The post Hildegard of Bingen: A Renaissance Woman Before Her Time appeared first on New Historian.
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