Why “Baby, It’s Cold Outside” Must Die

It isn’t just the religious aspect. Even if you remove the reason for the season, moonbats still hate Christmas. They denounce even the most secular celebrations of the holiday as “problematic.” Rudolph the Red-Nosed Reindeer is one example. Another is the 1940s seasonal classic “Baby, It’s Cold Outside,” which they have been after for years and attack for being sexist with renewed ferocity thanks to #MeToo mania:

Star 102 Cleveland … is no longer playing the song “Baby It’s Cold outside.”

Glenn Anderson with Star 102 said the lyrics of the song may not be appropriate.

Some people say the song is too suggestive in the era of the #MeToo movement.

Rather than shove the song down the Memory Hole, social engineers have suggested something still worse: altering the lyrics to make it politically correct. Soon they will have the technology to inflict this approach on classic movies.

Meanwhile, the thought police have no major problem with the violent sexism that characterizes rap:

[Some] rap songs are cesspits of sexism and vulgarity that glorify rape and sexual assault. For a social movement that has become increasingly creative in the sources of oppression it uses to justify its existence, feminism devotes relatively little time to berating the mainstream artists whose songs include such poetic lyrics as “I beat my b**** up in the street” or “I even make the b*****s I rape c**.”

This is okay, because intersectionality.

Social engineers want to destroy any remnant of the culture that prevailed in America in the 1940s. Like all the other moonbat isms, sexism is just a pretext for the ongoing cultural genocide.

On tips from TCS III and Eddie_Valiant.

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