What The “l”

As I was going over my e-mail and Facebook posts over the weekend, I had a number of them asking about whether or not I was going to give an analysis of the Superbowl this year. I have fallen into the habit of using Super Bowl Sunday’s broadcast with halftime show and commercials as an oracle for what the future holds for the New Year.

Of course, this was Superbowl 50; something that I thought was odd since the NFL always used Roman numerals before. The Roman numeral for 50 is “L” and of course, L also stands for Loser which no matter what they used – I saw Super Bowl 50 as a major loser as an entertaining game. I walked out during the game play and always returned during commercials and half time. It’s something I haven’t done in a long while.

So even without the “L,” I was wondering just what the “L” was wrong with this year’s big game – and I think it has a lot to do with Future Shock, the uncanny valley and the forced agenda of ethno-engineering.

The Superbowl always seems to be a blue print for the future as advertisers and performers tap into zeitgeist and magically steer the country with the use of neuro-programming and ritual that arguably is a preview for what is to come.

The big game has always been an exercise in mass media consumption, as it’s the epitome of what can be called bread and circuses, a term that indicates while the government continues to put the country into decline, the spectacle of the gladiators never fails to appease and distract the masses.

This exercise in hyper-reality generates a sense of universal awe that studies have shown is good for the psychological health of a country.

However, the Superbowl is beginning to look a lot more like a highly-designed psychological programming tool that can trick us to believe we have experienced something more significant than we actually have.

The technology used in presenting the Superbowl continues to grow in sophistication as more powerful, new sources of actual manipulation and stimulation have become readily available.

The presenters of the spectacle are now blending the reality of the game, with ritual and possible predictive programming that can be used to insert ideas that in the peak of awe inspiring gaming, plant seeds that may grow into realities in the future become familiar to observers.

Often, it is seen as fore-structuring and social engineering that has a long-term impact that push agendas and steers the hive mind into changing their attitudes about what are considered normal social values.

The biggest example of fore-structuring was the Liam Neeson appearance in the LG Commercial that summed up exactly what we are about to experience in the next 10 years. Neeson is sitting at a bar and open the commercial with the words “there is a revolution coming, the future is staring back at us.”

The statement immediately brings to mind that we live in times of retro causality, speaking of a future event or somehow projecting a future event, before the actual event. In this case, it is some sort of revolution.

Neeson is shuffling through a black deck of cards, indicating dark times in the cards. He also has a tattoo of what is called the “Ouroboros,” a symbol that indicates all things go full circle. It is a symbol of the serpent eating its tail. It has been associated with the eschaton or the end of all things and the later renewal of all things into a new world or new existence.

The Ouroboros is a symbol that represents sustainability. It is a symbol that simply means that in order for life to continue there must be death and without it the circle is broken, and the Earth ends. It is central to all things on this planet, birth, sacrifice, struggle and death in order to sustain the unbroken chain. All things come from the center and all things unfold and then die in the center.

In Pythagorean teachings, the Earth itself geometrically unfolds from a void in the center. This void has been recognized by many ancient groups, including the Sumerians, as the Black Sun or Black Star. It is represented as the “crossing sun” or the central sun where all things begin and end. It is also symbolic of the sun turning to sackcloth as something like the moon or another celestial entity shall pass in front of the sun darkening it.

He then reveals an 8 of clubs. In cartomancy, the use of playing cards for divination an 8 of clubs is a card that represents internal strife where the foundations are crumbling.

The number 8 also represents the infinite double Ouroboros, or the intertwining serpent that eats its tail.

Neeson then throws the card and it sticks to a mirror revealing yet again the strange symbol of Ouroboros. We can interpret it now as a sigil of alchemy and the satanic symbol of Leviathan, or the great beast of primal chaos.

The serpent locked on its tail represents immobility and yet coils around the Earth demonstrating perpetual movement. It represents the confusing message of your end being your beginning, your disintegration becoming reintegration. It is death before the spark of creation.

The revolution he is speaking of is the fight between the forces of light and the forces of darkness. The original foundations of this world are crumbling and a new world is coming, but there will be disaster and death in the process. The reason this is happening is that very powerful people wish to hijack our future but as the ad progresses, we are told the future belongs to us.

If you think long and hard about the message you will find the other messages that were conveyed in other commercials and in the halftime show indicate that not only are the foundations of the world are crumbling, there is also something else that will be casualty in the future and that is our national identity.

Many things that will transpire will actually change the way we see ourselves and that social morays will change and we will have to recognize and include a multicultural approach to all things in the future.

Before the Superbowl, I presented a show about ethno-engineering as a weapon that will create a clash of cultures. This tool will be provided to create more division and the forced implementation of diversity will alienate those who fear the mingling of tribes.

The big game’s halftime show was performed by Cold Play, who used the opportunity to promote multicultural values and globalist spiritualism. They did their part in ethno-engineering and in some people’s minds that also included those who are gay as well.

The message of love and peace back-fired as many Americans were not receptive to the colorful rainbows and messages of equality both racial and sexual. Cold Play lead singer, Chris Martin was wearing an outfit with the words “Global Citizen” printed on an arm band on his right side.

The audience that was surrounding the Celtic cross shaped stage was a multicultural blend of young people, reminiscent of the mural seen in the Denver Airport. There were also multicolored images being projected from the cross including the Flower of Life. The Flower of Life has been seen in all religions and is a perfect symbol of sacred geometry. All life in the universe knew the Flower of Life as the creation pattern, circles-within-circles and spheres-upon-spheres, the geometrical design leading us into and out of physical existence. The symbolism demonstrates how man goes from a very high state of consciousness, to a state of darkness and where we forget who we are.

The proposed Earth flag or some say the flag of the New World Order has a blue field with this symbol on it.

Bruno Mars elbowed his way through the Cold Play mess of music to perform his dynamic music only to be muscled out by Beyonce Knowles. At the moment I can’t think of any reason why these artists were asked to come back again so soon when Metallica was scheduled to perform.

Of course, Metallica would have smashed the whole rainbow love fest. Even Steven Tyler of Aerosmith appeared in a Skittles commercial and was presented a rainbow portrait of himself – this added to the whole fuzzy feeling of love and closeness in the halftime show.

Beyonce on the other had was there to push a political agenda in her performance of her recent song “Formation.” Her performance appeared be a tribute to the Black Panthers, who advocated violence to correct racial injustice in the 1960’s.

The singer was flanked by backup dancers who wore berets, similar to the berets worn by the group. They also raised their fists, symbolic of the Black Power movement.

At one point, the dancers posed with a sign that read “Justice 4 Mario Woods,” the man shot and killed by San Francisco cops.

The dancers on the field also formed an “X” during their routine, which seemed symbolic of civil rights militant Malcolm X. Beyonce also had a strap on her chest in the form of an “X” — but that looks like a homage to Michael Jackson’s ’93 Super Bowl show.

This raises the question that if David Allen Coe performed a song about the cowboys and ranchers who stood their ground in Burns Oregon, would it have been acceptable to have that in their celebration of love?

It was inappropriate for the mood and once again, makes one wonder why Metallica was told not to perform after they were scheduled to appear.

We can only speculate that it was because the whole halftime show was dedicated to the new globalist ethno-engineering agenda that promotes ethnic, sexual and cultural diversity.

The message of the entire Superbowl, commercials and all detailed a new world ahead both culturally diverse and of course genetically diverse as well.

First, we were shown there is a whole group of babies that were conceived during the Superbowl, as somehow mom lured dad away from the TV and his feast of mozzarella sticks and chicken wings – to make love at halftime or maybe even the two minute warning.

Then of course, came the baby nightmare commercials.

It can be argued that the Doritos birthing ad was a bold statement about designer babies that have the intelligence to bail out of the womb to chase after genetically modified corn-chips. I even admit, this may be a stretch even for my speculation, but, Puppy Baby Monkey, the gene-spliced chimera of the Mountain Dew ad was especially a harsh dose of Future Shock, especially when genetically modified chimeras are being used to grow human organs, and monkey head transplants have been announced in China on the day that coincidentally falls on the Chinese new year, the year of the monkey.

Sergio Canavero, a neuroscientist at the Turin Advanced Neuromodulation Group in Italy, recently announced that researchers at Harbin Medical University in China have successfully transplanted the head of a monkey onto a different body, New Scientist reports. The doctors connected the blood supply between the head and the new body, but did not attempt to connect the spinal cord.

The monkey was only kept alive for 20 hours after the procedure for ethical reasons.

The puppy monkey baby ad says that these are the three things we can’t resist – puppies, babies and monkeys. In all of our apocalyptic nightmares, we hope we never see these things but genetic technology is already on its way to create a Frankenstein that will be looking to be loved.

After all, they too will be fighting for their equal right to breathe and be counted in this new world.

Text – Check out Ground Zero Radio with Clyde Lewis Live Nightly @ http://www.groundzeromedia.org