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Jane Tripp's Trans-Time Photography: Photographing the Far Past - How I Discovered it is Possible

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Jane Tripp’s Trans-Time Photography:
Photographing the Far Past – How I Discovered it is Possible

“Dead voices, lost sounds, forgotten noises, vibrations lockstepping into the abyss and now too distant ever to be recaptured!…
What sort of arrows would be able to transfix such birds?”

Villiers de L’Isle-Adam – Tomorrow’s Eve

From Jane Tripp

June 30, 2018, Update Oct. 11, 2018

Jane Tripp’s Trans-Time Photography: Photographing the Far Past – How I Discovered it is Possible (Update, Oct. 11, 2018)

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*** Special Notice ~ Radio Interview ***
Jane Tripp will be interviewed for the first time on Internet radio on Heather Wade‘s The Kingdom of Nye late-night radio talk show for four hours on October 15, 2018 from 9PM – 1AM Pacific time. Be sure to listen to what promises to be a unique & remarkable interview.

The Kingdom of Nye with Heather Wade (

Listen Live (

Jane Tripp has a rare ability to obtain the most powerful paranormal images imaginable and has a great deal of mind boggling information to share.

Please take advantage of the introductory offer seen below and obtian your own copy of the first photo book ever published in recorded history of real, transdimensional Faery beings. There is no book anyone in the world like this one.

Jane’s history-making, 267 page eBook, Photographs of Faeries, introductory offer of $17.97 is available for instant download 24/7 from Gumroad:

Tattooed Faery Man leans against tree while watching Jane Tripp photograph him

[Editor's Note: Please realize the photos seen here of Faery beings were taken by Jane Tripp. She could not physically see the elemental beings with her eyes at the time she was taking the photographs, however, these images appeared in the digital photos after taking them.]

Introduction to Paranormal Photography
It’s an amazing experience to be able to see evidence of interdimensional life-forms in a photograph or on video footage, but one of the most exciting aspects of being a transdimensional photographer lies in my ability to take trans-time photos that access scenes from the past, and more rarely, the future.

Seeing the Past
The concept of being able to view a genuine photographic image from the past is beyond intriguing and there have been a surprising number of people in the last hundred years or so who have claimed to have created working “time” cameras.

Even though there is little photographic evidence, I believe that it is possible, It has already been done several times, and it will be undoubtedly be accomplished again.

But there is another way to gather visual data from the past, even though there is no current awareness that this is even possible; let alone that we now have hundreds of photographic examples available to view from an online computer.

Trans-Time Photography
Sometimes re-runs of past events become available in the environment and sometimes, they can even be photographed. A video recording of the target area improves this ability dramatically, as the best way to reveal scenes from the past is by taking screen photos off the video recording as it is being played back.

The resulting photographs frequently display trans-time imagery – genuine pictures of past events. As a trans-time photographer, I can receive trans-time images by photographing video footage of places rich in history and emotion-charged past events.


Strong Emotions
Although trans-time images are different from the paranormal images that appear in spirit photographs, these phenomena are both found most abundantly where dramatic events involving many people and a range of strong emotions had occurred in the past.

The images can appear as scenes or vignettes, often within small rectangles and squares, but also within what are known as ‘globules’, tiny little bubble-like formations which can carry detailed pictures of people, buildings and landscape within them.

Size differences vary widely, and as with other varieties of paranormal photographic anomalies, they can appear large enough to cover the entire surface of the photo, but more often they are very tiny. They can also appear upside down and sideways in the image captured.

Under certain circumstances, the photographs can display as negative images that have to be cropped and flipped into a positive image in a photo-editing program in order to be seen clearly. Negative images can even be situated next to a positive image on the same picture.

This phenomenon occurs with other forms of transdimensional photography as well and I believe this polarization offers an intriguing clue about the nature of our reality.

How the Past May be ‘Stored’
Every event that takes place, from the most insignificant to the most noteworthy, is permanently stored holographically, saved as light and sound bites, giving us retrievable visual and auditory data, if we can only come to comprehend the mechanism by which that data can be released.

But they are also stored in a more temporary fashion, within the matrices of materials which act as storage units for event-records, perhaps giving two possible ways for future retrieval:

1. From the original permanent holographic data-storage system for all records in existence
2. From temporary localized storage available around us within natural landscape features, architecture and objects.

The Stone Tape Theory
Stone, wood, or water – anything that has form – could theoretically become a temporary storage unit for light and sound records.

Obviously, some materials would store records more efficiently than others. And all such data would be subject to disintegration with the breaking down of the storage materials over time.

The stone tape theory was put forward in the 1970′s as a new explanation for ghosts and residual hauntings. It was theorized that records from the past were absorbed by materials in their surroundings, especially if they were fuelled by strong emotions and traumatic events.

The Stone Tape Play
In fact, a BBC television play written by Nigel Kneale was broadcast as an atmospheric ghost story during the Christmas season of 1972, called simply ‘The Stone Tape’.

This was possibly the first use of the term ‘stone tape’ in reference to this fascinating phenomena, and it was after the title of the play that the stone tape theory was later named.

In the story, a team of scientists move into a gothic mansion which had been built on top of much earlier foundations and subsequently renovated many times over the centuries.

They are there in order to experiment with the idea of retrieving information from the stones in a room where builders have refused to work because of a haunting involving a woman who died tragically in the location many years before.

Using their scientific equipment they strive to find a way to unlock the data and replay the emotionally-charged events. Finding themselves unable to accomplish this with their instruments alone, they hit upon the idea that a human agency and some play-acting might be necessary to prompt the release of the ‘rerun’.

Of course it all ends tragically, but some of the basic ideas in the story align very closely to the mysterious truth of the matter.

Past data can be retrieved, and although this will one day be possible to achieve using specially designed and standardized instruments, it is also possible today, using video footage, photography and human intervention.

A Human Agency
In my own work I have discovered just how important human agency is in revealing such fascinating anomalies.

Without a mechanical means of play-back, trans-time images have to be first photographed by a psychic with physical mediumship abilities, and then the images have to be located, isolated and coaxed patiently from the photograph with editing techniques to prepare it for viewing.

Understanding the Release of Stored Data
Specific events can trigger a spontaneous release of this stored data, and active paranormal activity can occur. Phenomena can be auditory, visual, or both. Sounds such as voices or footsteps may be heard. People, animals and objects can be witnessed. Sometimes an entire scene from the past can be re-played.

This may include seeing events, either silently or with sound, or just hearing them with no visual input. Sometimes the olfactory senses are stimulated and strong scents such as perfume or tobacco can be experienced.

These replays are non-interactive. It’s more like experiencing a movie than a real event. A residual haunting of this nature does not have a present reality. The actions that precipitated the storage of the records are over, and the people who were once involved are no longer present as spirits.

It’s thought that the means of storage may be electro-magnetic in nature. I also think that this may be the case, at least in part.

It makes sense, but not much is yet known with any degree of certainty. There is surely far more involved, because the nature of our reality is holographic, and so is the stored event data. 

Disturbing Construction Sites
Past event storage provides one explanation for the well-known phenomenon of paranormal disturbance that can occur when a building or other structure is altered or remodeled, leading to a spate of ‘ghostly’ activity involving sightings and auditory phenomena.

This may be perceived as a haunting, when in fact it is more likely to be caused by the release of past records from original materials as they are disturbed during construction, and associated phenomena will usually not continue for very long.

More than one construction crew has quit in the face of unexplained paranormal antics that have scared and unsettled workers as they went about their business. There is plenty of research available for those who would like to explore the subject further, and some cases are well documented.

Eerie phenomena have occurred in which inexplicable and seemingly impossible events have taken
place, such as elevators that continued to go up and down even when their power source was

This type of activity does not correlate to our present understanding of physics and is often enough to scare some people away for good.

Experiencing these replays can be a little bit unnerving, but they cannot harm anybody. It’s also true that although they can be accidently triggered, nobody has so far formulated any standard procedure for releasing these residual records intentionally, let alone recording them as they are released.

Photographing the Past?
However, I am stating that scenes from the past can be resurrected and brought to life once more in a specific way. It’s possible and I have already achieved it.

Genuine images of people and scenes, who lived long ago, can actually be made visible again, photographically, as they once appeared. And I am providing the photographic evidence that this startling phenomenon takes place and is real.

If you view my work with trans-time photography you will see something very, very special – fascinating images of the past that have been extracted from video footage of historical locations.

Photographed directly from the screen as the video footage played, the edited pictures reveal haunting
trans-time images: details from an ancient world, in color, embedded in locations such as the original walls of buildings that are many centuries old.

FREE downloadable photo-preview of an upcoming ebook titled The Lost World of Pompeii Aug. 24, 79AD with a generous selection of enthralling images from 2,000 years ago







How I Discovered the Truth About the Past
When I first taught myself how to edit photographs containing paranormal images I had no idea just how deeply my explorations would take me into the twilight zone.

I had of course seen and examined the evidence in other people’s photographs, but only a few pictures of this type were (or are) available, and frankly I already had many more of my own anomalous trans-time images than all the accessible work from other people’s experiments with cameras put together.

I had still to fully realize the implications of my own discoveries. Although I had always been interested in and recognized the validity of the stone tape theory, I hadn’t experimented seriously with trans-time photography myself.

I had taken photographs which displayed trans-time imagery before, but this was a spontaneous phenomenon over which I had no control.

What I hadn’t done was to experiment exclusively with trans-time photography, with the sole purpose
of extracting trans-time images of the past from specific surroundings that had historically witnessed a lot of emotional past activity.

Photographs of Pompeii
With this in mind I decided to target an area and time period that is well-known in the annals of history for one single devastating event – its utter destruction through a cataclysmic event almost 2,000 years ago.

The ruins of Pompeii turned out to be a perfect selection. The entire city had been completely covered in the debris from the volcanic eruption of Mount Vesuvius in 79 AD, preserving the town under many feet of ash and cinders.

It laid undiscovered and forgotten for centuries and only in modern times has a section of the remains been properly excavated. It is from video footage of these archeological remains that my raw material was sourced.

How I Photograph Images from the Far Past
Such images can be extracted from many materials, including wood, but two which seem to store residual records most efficiently seem to be stone and plaster.

My discoveries so far indicate that walls are the most reliable target from which to extract past records visually. Very old stone buildings and walls with old plaster still adhering have so far proved to be the perfect media for storage and subsequent retrieval of trans-time images.

Other people have experimented with the retrieval of sound, but as far as I’m aware nobody has extracted images of the past with any repeatable success. The process I use of re-photographing video footage made at target sites provides continual scenes from the past.

[This is a REAL Trans-Time photographic image from Jane Tripp of a Pompeii harbor on August 24, 79AD. The black figures seen in the foreground of this photo are a group of Pompeii residents who are looking out over a harbor where First century ships are moored. The red smoke clouds seen above the horizon is the hot volcanic ash billowing into the air from the sudden eruption of Mt. Vesuvius. The photographic scene you are viewing occurred just 46 years after the Crucifixion of Jesus in 33AD, a time when some direct disciples of Jesus were still alive. ..Ken]

The Psychic Factor
At present there is no known system that will reliably extract images of the past from video footage in a mechanical way. I’m certain that this will be possible in the not too far distant future, but for now the only way I know in which to accomplish this is through the intervention of a psychic photographic medium such as myself.

As a psychic and a physical medium, I don’t enter into trance or channel information for people. I do produce ectoplasm. My gift manifests most strongly when I take photographs. In the old-fashioned language of spiritualism, the veil parts for me, and I’m able to photograph interdimensionally.

Many of these photos contain real-time interactions with human spirits and other trans-dimensional
entities. But they are perhaps even more special when they contain trans-time images – genuine photographic pictures of the past.

Extraction of Imagery
Once the images have been preserved on a photo the next task is to extract the visual data via editing techniques that have been designed to excavate through layers of imagery, isolating the clearest scenes and figures and revealing the details, sometimes minutely.

This editing method allows even very tiny details, such as the iris and pupil of a person’s eye or a detail of jewelry they are wearing, to be revealed. The images are preserved in color, allowing a good approximation of the color palette at the time the original parent image data was stored.

Future Work in the Field of Trans-Time Photography
Over the course of the next few years I will be producing and releasing a variety of different books and documents about trans-time photography. I will be targeting interesting places and historical events in order to bring the most exciting and verifiable information to people.

I will also be attempting to teach other people how to retrieve these records and edit them out of the photographic images that they take for themselves. It’s my belief that a certain percentage of people, like myself, will be able to retrieve such visual data photographically.

This photographic evidence of images preserved from times long past may not provide proof, except on an individual and personal basis, but it will open up a brand new field of study that promises some absolutely thrilling results. Who wouldn’t want to see the past? You are about to do just that.

Jane Tripp

(Jane can be contacted by emailing: [email protected] )

Join Jane’s Mailing List:
Send email to: [email protected] and put ‘Join’ in the subject line and your name in the body of the message and you’ll be added to the mailing list. You will be notified when the Trans-Time Pompeii book becomes available and when other articles & books are published.

Jane’s new eBook, Photographs of Faeries (267 pages),is currently available for $17.97 and can be ordered at:



Photographs of Faeries –
Real Faeries and Elemental Spirits Captured on Camera
By Jane Tripp – Digital Seer

Photographs of Faeries
A Photographic Catalog Containing 100′s of Transdimensional Images of the Faery Realm & Its Inhabitants

Real Faeries & Elemental Spirits Captured On Camera

A True Fairy Tale

Like all good fairy tales, this one begins with the absolutely impossible happening: Once upon a time there was a woman who could photograph fairies…

and she put them in a book – but it was not a book of fairy stories, instead being a very real and true-life faery tale. It does not contain any lies.

Does this sound like a faery riddle? In a way it is, but as I explore the secret and usually hidden lands of the Otherworld in a bid to understand an ancient conundrum, I am also honored to be able to finally share with the world the  extraordinary experience which will allow you also to see the liminal, luminous and crystalline world of faery – in full and glowing color.

I Can’t See Faeries – Yet I Have Quite  Literally Seen Hundreds Of Them

I haven’t so far been blessed with the gift of seeing fairies and elementals except in inner vision. And yet, I have seen hundreds of real, living faeries and elementals with my own physical eyes. In this truly magical book lies your opportunity to share this incredible experience.

A Word About Faeries – Who are They? 

Very misunderstood, most people assume faeries are creatures of myth that do not and never did really exist. They are in fact a living race separated dimensionally from us, but not by very much. 

A few places have preserved at least part of this heritage, and it still has influence on the lives and actions of people today in countries such as Ireland and Iceland, but their reality in most parts of the world has been largely forgotten. Regardless, faeries exist whether or not a person ‘believes’ in them. 

There isn’t a country or culture on Earth that does not, or did not at one time not only believe in, but interacted with the faery folk in many different ways.




Faery Frequencies

Everything that dwells in the possibly infinite frequencies beyond out personal bandwidth is usually completely invisible to us and largely unimaginable. We see and sense what is required for our survival and basic needs, but there is of course much more which remains undetected by the mundane senses.

But is this hidden part of the universe, and what or who it contains, available to some of us via extrasensory means?

Yes, it is, and a portion of this same hidden world and its inhabitants can be revealed digitally using contemporary electronic equipment, such as digital cameras.

 What Will I See in My Faery Book?

In the unique and stand-alone book ‘Photographs of Faeries’ you will see a fascinating and varied portion of this seemingly enchanted world which intersects with our own. 

You shouldn’t expect the people you are going to see to look like us. While some of them do strongly resemble us, others have a wildness to them that is unfamiliar to most humans today.

The denizens of this other world do not appear the same as in our own, but as these two worlds are related, and to some extent depend upon and interact with each other, we can expect aspects of it to be familiar.

Expect unusual colors sometimes, such as green and blue skin tones. Other things you will see are tattoos, an array of hats and headgear, including witches hats and pointed caps, coronets of flowers, veils, shawls and elaborate hair-styles.

In the book are faery men, women, children and animals, elves, pixies, goblins, witches and much more.

In times past naturalists traveled the world to document  and collect different species of flora and fauna in order to better know and comprehend the seemingly endless diversity of the world in which we live. 

Quite often the stories of the marvels seen and described or presented as paintings were disbelieved unless specimens were actually produced.

The onset of photography changed everything, revealing for the first time to the world the incredible abundance of plants and creatures we are blessed with, displaying in all their wondrously varied shapes, sizes and colors.

We live in a vastly different world today, and in the spirit of the naturalists and explorers of the past, I present to you a photographic study of the previously largely unseen and completely pictorially unrecorded exotic fauna of the Otherworld.

It has been my privilege to be able to take these amazing photographs and reveal the hidden worlds within them, and for this I will always be grateful.

I believe it is also a privilege for us to be able to finally see them before our eyes in such glowing detail, no longer only in our imaginations, but alive in a conjoined – but photographable – reality.

Every year around the world, thousands of people still have paranormal encounters with the unknown, and this includes continued sightings of faeries and even interactions with them. 

Have all these people been making up these stories for various reasons across the centuries? No, they have not, and the truth can now be perceived photographically. Hundreds of faeries and elementals are made visible and we can now view them digitally from the safety of our homes.

*** Coming in late 2018 ***

Pompeii Resurrected ~

Would You Like to See Photographic Images of the Past?
The first book ever written exclusively about Trans-Time photography will be published this year. It will be published digitally because in it, there are so many hundreds of individual photographic images from 2,000 years ago, that it would be far too expensive to print.

These images detail Pompeii, Herculaneum, and the surrounding areas in Campania, Italy. What’s more, because of the tragic event that took place on August 24 in 79 AD when Mount Vesuvius erupted and obliterated the entire area, these images almost exclusively detail that very short, but traumatic window of time.

The stronger the associated emotions were at the time of a catastrophic event, the more ‘active’ an event record is created, and therefore the more likely to be retrieved using Trans-Time photography.

The Pompeii Book
The full-length book explores in fascinating detail the new subject of trans-time photography and its possibilities, as well as painting a comprehensive picture of the people who lived in Pompeii and what their lives were like before the eruption covered it all over – but not forever.

Resurrected in the book are hundreds of real photographic images from the far past, in color. You will now be able to look into the eyes of people who lived thousands of years ago.

© Copyright 2018 Jane Tripp and  All Rights Reserved.





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