THE CERN HADRON COLLIDER IS ONLY ONE OF 3 COLLIDERS THAT WILL BE USED IN CONJUCTION AND POSSIBLY TRIANGULATED TO OPEN A GATE WAY OR PORTAL INTO THE BOTTOMLESS PIT TO RELEASE THE HUMANOID SCORPION CREATURES THAT WILL TORMENT MEN WITHOUT THE MARK OF THE “MOST HIGH” IN THEIR FOREHEADS FOR FIVE MONTHS. DUE TO BECOMING IMMORTAL THROUGH DNA ACTIVATION AFTER THE 3 DAYS OF DARKENESS WHEN THE SPIRIT IS POURED OUT ON ALL FLESH, THESE MEN AND WOMEN WILL NOT BE ABLE TO DIE AND THE “WORD” SAYS THAT DEATH WILL FLEE FROM THEM EVEN THOUGH THEY DESIRE TO DIE!

THIS PARTICULAR FALLEN ANGEL OVER THIS PART OF THE PIT WHERE THESE HUMANOID SCROPION CREATURES RESIDE IS KNOWN AS NERGAL OR APOLLYON OR ABADDON. HE ALSO KNOWN TO BE ASSCOCIATED WITH MARS AS THE GOD OF WAR OR THE DUNGHILL ROOSTER OR COCK! THE ONLY WAY IMMORTALS OR DNA ACTIVATED PEOPLE CAN DIE IN THE FUTURE IS BY EXTREME FIRE/NUCLEAR FIRE OR BY THEIR HEADS BEING CHOPPED OFF! ONCE THE 3RD EYE WHICH LIES IN THE HEAD IS CUT OFF OR SEPERATED FROM THE BODY THE SOUL OR SPIRIT INSIDE CAN NO LONGER CONTROL THE BODY, SIMILAR TO A CPU BEING PULLED FROM A COMPUTER AND THE POWER/SOUL/SPIRIT BEING DISCONNECTED FROM THE FRAME/BODY! THE 3RD EYE IS THE LINK OR CPU BETWEEN THE BODY AND SOUL OR SPIRIT! THAT’S WHY THE MEANS OF DEATH WILL PRIMARILY BE BEHEADING BY THE ELITE AND THAT’S ALSO WHY THEY HAVE MANUFACTURED INDUSTRIAL STRENGTH GUILLOTINES FOR THE FUTURE NWO!

READ REVELATIONS 5TH TRUMPET AND YOU WILL SEE THAT THESE CREATURES FROM THE BOTTOMLESS PIT OR HELL ARE VERY FIERCE AND HAVE TAILS LIKE SCORPIONS AND PRODUCE UNBEARABLE STINGS LIKE A GIANT SCORPION ALSO THEY HAVE WINGS! THEY HAVE A FACE LIKE A MAN WITH 2 EYES, A NOSE, AND A MOUTH FULL OF TEETH LIKE A LION, AND LONG HAIR LIKE WOMEN! THESE CREATURES ARE ORDERED BY THE “MOST HIGH” TO PASS THE RIGHTEOUS SEALED GENTILES OVER DURING THIS TIME OF SEVERE TORTURE AND PUNISHMENT! AFTER REVELATIONS 4TH TRUMPET TAKES PLACE THE SUN, MOON, AND STARS, WILL ALREADY BE DARKENED BUT THIS WILL ADD TO THE DARKENSS EVEN MORE SO AS THE TREMENDOUS AMOUNT OF SMOKE ARISES OUT OF THE NEWLY OPENED BOTTOMLESS PIT TO HELL!

Nergal - Nergal – Nergal
The son of Enlil. He is also called Erra

As Erra he is a hunter god, a god of war and plague. He is submissive to Enki.

- ‘lord who prowls by night’) -, the Unsparing, god of the underworld, husband of Ereshkigal, lover of Mami. He is an evil god who brings war, pestilence, fever and devastation.

Nergal is represented as a god dressed in a long open-fronted robe, often with one leg bared and advanced, his foot placed upon a raised support or trampling a man. He usually carries a scimitar and a single or double-headed lion scepter, which, as independent motifs, served to symbolize him.

“He can open the doorposts to the underworld to allow the passage of a soul”. He achieved his post by refusing to stand before an address of Namtar. When Ereshkigal called him to be punished, he dragged her off of her throne by the hair, and threatened to decapitate her. She offered him the position as her consort and he accepted. He is an evil aspect of Utu /Shamash. He allows Enkidu’s spirit to visit Gilgamesh at the behest of Enki.

He is sometimes the son of Enki. Prior to his first journey to the underworld, he builds a chair of fine wood under Enki’s instruction to give to Ereshkigal as a gift from Anu. He is advised not to take part of the food, drink and entertainment offered there. He is tempted by Ereshkigal and eventually succumbs, sleeping with her for seven days. He then takes his leave, angering her. The gatekeeper lets him out and he climbs the stairway to heaven. He hides from Namtar in heaven, but is discovered and returns to the underworld to marry Ereshkigal.

He commands the Sebitti, seven warriors who are also the Pleiades, they aid in his killing of noisy, over-populous people and animals. He rallies them when he feels the urge for war, and calls Ishum to light the way. He regards Marduk as having become negligent and prepares to attack his people in Babylon. He challenges Marduk in E-sagila in Shuanna /Babylon. Marduk responds that he already killed most of the people in the flood and would not do so again. He also states that he could not run the flood without getting off of his throne and letting control slip. Erra volunteers to take his seat and control things. Marduk takes his vacation and Erra sets about trying to destroy Babylon. Ishum intervenes on Babylon’s behalf and persuades Erra to stop, but not before he promises that the other gods will acknowledge themselves as Erra’s servants (see the Babylonian tablets called Erra and Ishum and Nergal and Ereshkigal.

His attributes are the club and the sickle.

Since Nergal was worshipped at the temple called E-meslam (or Meslam House) at Kutu in Babylonia, he was also sometimes known under the name of Meslamta-ea, ‘he who comes forth from the Meslam’.

NERGAL is the same as the Greek god HADES.

NERGAL – The Sumerian god of the underworld, co-ruler with Ereshkigal, but originally associated with Shamash, the sun god, and a solar deity. Nergal is best known for insulting Namtar, Ereshkigal’s representative at the feast of the gods, and having to make amends to her, resulting in their love affair and his eventual move to the underworld to live with her.

Nergal actually seems to be in part a solar deity, sometimes identified with Shamash, but only a representative of a certain phase of the sun. Portrayed in hymns and myths as a god of war and pestilence, Nergal seems to represent the sun of noontime and of the summer solstice that brings destruction, high summer being the dead season in the Mesopotamian annual cycle. He has also been called “the king of sunset”.^[3] Nergal evolved from a war god to a god of the underworld.^[4] In the mythology, this occurred when Enlil and Ninlil gave him the underworld.^[3]

Nergal was also the deity who presides over the netherworld, and who stands at the head of the special pantheon assigned to the government of the dead (supposed to be gathered in a large subterranean cave known as Aralu or Irkalla). In this capacity he has associated with him a goddess Allatu or Ereshkigal, though at one time Allatu may have functioned as the sole mistress of Aralu, ruling in her own person. In some texts the god Ninazu is the son of Nergal and Allatu/Ereshkigal.

Ordinarily Nergal pairs with his consort Laz. Standard iconography pictured Nergal as a lion, and boundary-stone monuments symbolise him with a mace surmounted by the head of a lion.

Nergal’s fiery aspect appears in names or epithets such as Lugalgira, Lugal-banda (Nergal as the fighting-cock),^[5]Sharrapu (“the burner,” a reference to his manner of dealing with outdated teachings), Erra, Gibil (though this name more properly belongs to Nusku), and Sibitti or Seven.^[6] A certain confusion exists in cuneiform literature between Ninurta (slayer of Asag and wielder of Sharur, an enchanted mace) and Nergal. Nergal has epithets such as the “raging king,” the “furious one,” and the like. A play upon his name—separated into three elements as Ne-uru-gal (lord of the great dwelling)—expresses his position at the head of the nether-world pantheon.

In the late Babylonian astral-theological system Nergal is related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars)—hence the current name of the planet. In Assyro-Babylonian ecclesiastical art the great lion-headed colossi serving as guardians to the temples and palaces seem to symbolise Nergal, just as the bull-headed colossi probably typify Ninurta.

Nergal’s chief temple at Cuthah bore the name Meslam, from which the god receives the designation of Meslamtaeda or Meslamtaea, “the one that rises up from Meslam”. The name Meslamtaeda/Meslamtaea indeed is found as early as the list of gods from Fara while the name Nergal only begins to appear in the Akkadian period. Amongst the Hurrians and later Hittites Nergal was known as Aplu, a name derived from the Akkadian Apal Enlil, (Apal being the construct state of Aplu) meaning “the son of Enlil”. As God of the plague, he was invoked during the “plague years” during the reign of the Hittite king Suppiluliuma, when this disease spread from Egypt.

The worship of Nergal does not appear to have spread as widely as that of Ninurta, but in the late Babylonian and early Persian period, syncretism seems to have fused the two divinities, which were invoked together as if they were identical. Hymns and votive and other inscriptions of Babylonian and Assyrian rulers frequently invoke him, but we do not learn of many temples to him outside of Cuthah. The Assyrian king Sennacherib speaks of one at Tarbisu to the north of the Assyrian capital of Nineveh, but significantly, although Nebuchadnezzar II (606–586 BC), the great temple-builder of the neo-Babylonian monarchy, alludes to his operations at Meslam in Cuthah, he makes no mention of a sanctuary to Nergal in Babylon. Local associations with his original seat—Kutha—and the conception formed of him as a god of the dead acted in making him feared rather than actively worshipped.

In demonology

Being a deity of the desert, god of fire, which is one of negative aspects of the sun, god of the underworld, and also being a god of one of the religions which rivaled Christianity and Judaism, Nergal was sometimes called a demon and even identified with Satan. According to Collin de Plancy and Johann Weyer, Nergal was depicted as the chief of Hell‘s “secret police“, and worked as “an honorary spy in the service of Beelzebub“.^{[citation needed]}

Scorpion man

Scorpion Men are featured in several Akkadian language myths, including the Enûma Elish and the Babylonian version of the Epic of Gilgamesh. They were also known as aqrabuamelu or girtablilu. The Scorpion Men are described to have the head, torso, and arms of a man and the body of a scorpion.

Mythology

They were first created by the Tiamat in order to wage war against the younger gods for the betrayal of her mate Apsu. In the Epic of Gilgamesh, they stand guard outside the gates of the sun god Shamash at the mountains of Mashu. These give entrance to Kurnugi, the land of darkness. The scorpion men open the doors for Shamash as he travels out each day, and close the doors after him when he returns to the underworld at night. They also warn travellers of the danger that lies beyond their post. Their heads touch the sky, their “terror is awesome” and their “glance is death”. This meeting of Gilgameš, on his way to Ūta-napišti, with the Scorpion-folk guarding the entrance to the tunnel is described in Iškār Gilgāmeš, tablet IX, lines 47-81.^[1]

Comparative mythology and religions

The scorpion is likewise a magical guard to an entrance among, e.g., the Mekeo of Papua — “a scorpion charm is used to protect … your house.”^[2]

According to Aztec legend such beings were called Tzitzimime, spirits of defeated gods cast out of the sky after they destroyed the sacred grove of fruit trees. A pair of blue anthropomorphic creatures, one with arms and tail of a scorpion decorate the pillars in the “Star-Chamber” at the Cacaxtla archeological site southeast of Mexico City. A reproduction of the murals can be seen at the National Museum of Anthropology.

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See also

• Scorpion Men
  Aqrabuamelu (girtablilu) – scorpion-man, the guardians of the gates of the underworld. Their “terror is awesome” and their “glance is death”.

  In Babylonian mythology scorpion men were the children of Tiamat, the dragon mother of the universe. They were giants whose heads touched the sky.

  They possessed the head, arms, and torso of a man; but below the waist they had the tails of scorpions. Deadly warriors, they could fight either with their scorpion tails or their bows and arrows which never missed their targets. They were the sacred guardians of the sun god Utu/Shamash.

  In the morning they opened the gates of the Mountain of the East and Shamash ascended into the sky. At night they shut the gates of the Mountain of the West as Shamash descended into the underworld. Gilgamesh, the great Babylonian hero, was aided by a scorpion man in his quest for immortality.