Reena Spaulings. Her And No

HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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Post Card (Cologne on Rhine) (I), 2010
detail, diptych, acrylic on canvas, 20 x 15 x 12 cm
Courtesy of the artist, and Galerie Buchholz, Berlin/Cologne/New York

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Post Card (Cologne on Rhine) (II), 2010
detail, diptych, acrylic on canvas, 20 x 15 x 12 cm
Courtesy of the artist, and Galerie Buchholz, Berlin/Cologne/New York

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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Later Seascapes 9, 2015
acrylic on canvas, 250 x 450 x 5 cm
Courtesy of the artist and Galerie Neu, Berlin

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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Advisors, Detail 1 (Eleanor Cayre), 2016
acrylic on Dibond, 86,4 x 66 cm
Courtesy of the artist, Private Collection and Campoli Presti, London/Paris

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Advisors, Detail 12 (Suzanne Modica), 2016
acrylic on Dibond, 86,4 x 66 cm
Courtesy of the artist, Private Collection and Campoli Presti, London/Paris

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HERE AND NOW at Museum Ludwig: Reena Spaulings. HER AND NO
Museum Ludwig, Cologne, 2017
Courtesy of the artist
photo: Rheinisches Bildarchiv Köln, Cologne, BRITTA SCHLIER

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Bonjour!, 2017
courtesy of the artist

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REENA SPAULINGS is a fictional entity created in 2004 without a face and for unique point of reference a fiction written by BERNADETTE CORPORATION . The now ageless artist based in New York, whose identity has been dissolved by several activities including an art gallery (Reena Spaulings Fine Art) and perpetual collaborations, is showing her work into a solo exhibition in Cologne.

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