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This article is to clarify the depth of events of the Dark Knight shooting, and the complete and corrected understanding of those events as a manifestation of either the planet Saturn or the principles that are represented by established Cults of Saturn and all of the religious, spiritual and mystical properties that emerge thereof.

The proof is somewhat difficult and more than a little foundation is required, but finally, it is astounding.

At the beginning, Saturn is a God also known as Father Time, who forms the principles of our Time Based reality, and forms the Material World from the blood of his father Uranus, whom he murders and cannibalizes. Uranus, the Sky God, and his wife Gaia, the Earth God, represent a perfect balance between the so-called spiritual and material reality. Like all forms of perfect balance, Uranus and Gaia are not manifest, or un-measureable, even to themselves, and are certainly nowhere to be found in the Time Based Saturnine World in which we live. Coincidentally, the Greek word Utopia translates into the English word Nowhere.
Nowhere means un-manifest and un-measured, but also means not here. The broken Kingdom of Time is also illustrated in the severance of the term Nowhere into Now-Here. Now-Here affixes one at a certain point within the Time Based Illusion of Now.

When he murders Uranus, Saturn creates a false image of the natural and unseen balance in the image of himself, Saturn, as an act of disobedience, as an act of artifice, to challenge the supremacy of the original and un-manifest creation. In this case, and this tidbit is well known to good occult investigators, Saturn is the acknowledged simulation of Satan. From a philosophical and strictly logical perspective, all Time Based perception, all synchronicity, without regard for its apparent positive spiritual or mystical value, must be traceable directly to Saturn or the principles of Saturnine Cults. This is the basis of Original Sin.

Any honest study of the history of agriculture and sociology is bound to leave the student with the mature impression that Original Sin is a technical fact and that we are all a part of it, even if we have managed a life of relative goodness, and even moreso if we believe that our goodness could be the source of a sacred truth or an enhanced knowledge of mystical persuasion. The mystic experience is real, but within a Time Based Matrix, the complete experience must be, indeed is firmly affixed to the principle of Saturnine power. The promised mystical rebirth is Emperor’s New Clothes, and in its own time will prove as fragile and corrupt as our present day debacle. It is a closed cycle, a static cycle, a wheel that does not touch the ground, a toy kaleidoscope. It is not a pathway to authentic metamorphosis.

***

Let’s go back in time just a few weeks, to the appearance of the fantastically controversial independent animation called I, Pet Goat II. Two types of interpretation appear at once and completely dominate the field. One camp finds the the image as a positive cypher for the change of the age and the coming spiritual stargate leap. Such viewers see I, Pet Goat II as the symbol of the Awakening of Cosmic Christ within themselves. The second group thinks that I, Pet Goat II is evil, and represents the emergence of a false Christ or false Mahdi. This group also believe that they themselves are saved either by the Crucified Christ or by their devotion to Islam. What is interesting is that these two camps, the New Age Mystic Camp vs. the Traditional Spiritual Camp, in fact believe the exact same thing, that they are in possession of a correct or righteous truth. And both of them are dead wrong.

This assessment may seem strict, but it arises as a response to the blatantly false advertising of a state called Enlightenment. The truth of Enlightenment is that is does nothing to change the situation in which one finds oneself. It does not give the power of sight beyond sight, or the ability to heal the world or even the ability to heal oneself. The simple truth of Enlightenment is that it orients a location in space-time and nothing more. When you become Enlightened, when you become Gnostic, you know where you are–and as the Master says, it sucks wind. We are the enemy.

The invocation of Kubrick is not at all superficial. In Full Metal Jacket, there is a water-tower upon which reads, in Vietnamese, “To continually serve your Majesty, Satan“, a find which I attribute to Kubrick researcher Rob Ager. Ager doesn’t provide an interpretation to this occurrence, but it seems to me that the signature of Satan is emblazoned on the New Age of Aquarius, the water-bearer, the water-tower, and that the New Kingdom is just sand through the hourglass of Saturn, to build yet another tawdry pyramidical hierarchy. The celebrated Stargate is merely the bottleneck of the hourglass.

***

I, Pet Goat II, which cryptically encodes the false change of recycle, illustrates all of this quite well. In this first image we see the New Man emerge from the Stargate. The Box in which the Goat is enclosed is a pun upon Box as in Vagina/Vulva/Birth Canal. It is also representative of the Kaaba at Mecca, with its Vaginal Silver kissing point. More on this later.

The Kaaba, which is a great Black Cube, a Box, has been tied directly to the emergence of the Aquarian age, by both the New Age Synch community and the Traditional Religious community. The connection of the Kaaba to the Cube of Saturn and Freemasonry is established well into antiquity. What is generally missed is that this phenomena is not representative of rebirth but instead recycle: the inversion of the Saturnine and Satanic Hourglass. The old clothes of Pisces are worn out. The new clothes of Aquarius are upon us. But it is all Emperor’s New Clothes, the re-imagination of a system doomed to fail terribly at a later date, just as the current system appears to fail in the moment of our present day.

The cartoon Goat, both emerging from and imprisoned within The Box, is the human being under the system of Aquarius. Both the bell on its neck and the 666 Bar Code on its forehead indicate a future in which every living soul is directly “dialed-in” or “wired” to the new system. The prison wire and lights that shine are the re-invigoration of the Saturnine system of control. Gnostic theorist and sci-fi writer Phillip K. Dick calls this The Black Iron Prison, which seems appropriate when looking at the Kaaba, a great Slate Black Cube. It is also worth noting that profound research finds a strong connection between the Great Pyramid at Giza and the Number 666. Thus, a pyramid is no more than the formation of a pyramid of sand at the bottom of an hourglass, a repetition of a repetition. The number 6, inscribed inside itself repeatedly at the point of attachment, is a simulation of the Golden Mean and the Golden Spiral. It also simulates the spiral of water as it drains from a basin, or sand as it drains from the upper to the lower hourglass. The same spiral is visible in the eyes of the Cartoon Goat. It goes Now-Here.

Next, we see Dunce Bush dancing on a Saturnine Masonic Chess Board, inside an inverted pentagram of light, which is the well known symbol for the Goat of Mendes, the Goat Satan. The farthest tip of the pentagram points to the serpent seen beneath the chalkboard, right next to a bolt of lightning that divides a cartoon brain. In The Apocalypse of St. John, we are instructed that the Beast will emerge from the Bottomless Pit when the Earth is cracked by Lightning. In common occultism, the Pentagram of Mendes is called Leviathan, as each of its five points are attributed to the Hebrew letters which spell Leviathan. Leviathan means creature from the deep, or creature from the abyss. Note the alphabet at the right side of the chalkboard. The letters “O” and “Z” are crooked. OZ is the Hebrew word meaning Goat. In ancient Hebrew, letters were also used for numbers. The value of OZ is 77. Flight 77, we are told, hit the Pentagon Pentagram on Sept. 11, 2001.

The dunce cap represents the Measure of Law. To this day and going way back, legal documents are printed on extra-long pieces of paper called foolscap. Foolscap is fool’s cap and therefore dunce cap. Law is a the matter of proper measurement, and is revealed as Satanic exactly because the truly sacred is beyond all measurement and account and therefore any principle subservient to measurement, even such a principle as good-better-best, is Satanically problematic. It is worthwhile to realize that Measurement and Time are one in the same function. The modern clock was invented for the precise purpose of measuring and navigating the globe. This little known fact of history is nicely presented in a TV series called Longitude.

Next we see Vampire Obama, or as he might also be known, O-Batman. Unlike Dunce Bush, Vampire Obama has pronounced canine incisors, like a Vampire or a Bat. He also wears a mortar board on his head (see video), indicating a higher level of attainment than that of Dunce Bush, but this is misdirection. The purple tassel on the mortar board is not moved forward to indicate graduation. Secretly, Cartoon Obama is also a Dunce, operating under the weight of the same Satanic Measure of Law as his predecessor. All who measure out life as a by-product of Time also dwell within the dominion of that same Legal Entity. Be it a dunce cap or the square mortar-board of Saturnine Masonry, we all wear the hat.

There are strong connections to this image of Vampire O-Batman and the Dark Knight Shooting. Batman’s latest villain is called Bane, a name which Rush Limbaugh ties infamously to Obama foe Mitt Romney by way of the homophone Bain. Bain is a venture corporation formed by Romney. Bane is of course the bane of existence, a phrase that derives from the term WolfsBane, which is a substance that repels Vampires. Whacked-out Christian conspiracy convert Bill Schneoblen gives it all away in one of his many online Prophecy Club Lectures, in which he relates that at the highest levels of Satanic Freemasonry, one must choose a the Vampire Path or the Werewolf Path.

So we have Obama as Batman Vampire and Romney as Bain/Bane/WolfsBane Werewolf. This motif is reinforced by the competing summer blockbuster, Abraham Lincoln: Vampire Hunter. Abe wields an Ax in his movie. Does Bane also wield an Ax? And a deeper connection is revealed in the name Century 16 Cinemas, where the Dark Knight Shooting takes place. Century 16 produces the number 1600, which is the number address of The White House. Adding insult to injury, the street name contains the term Sylvania, which reminds immediately of Transylvania.

We are at least being re-educated to what we surely must already know, that the American Political Dialectic is a complete ruse. There are no different sides, only different roles. To this I add my own suspicion that all of us must play these roles, forever, in an eternal and perpetually modulating Devil’s Masquerade–a game where one can never be right, a game that one can not win, a Catch-22. Maybe this is not true for all, but it is certainly true for me. This is not a fact which I celebrate or despise with any uniformity. The awareness of this inexorable game is practical awe, or in Biblical terms: fear. The beginning of Wisdom is the Fear of God. The God of Time Based reality is Satan and no one among the living has any experience outside of this framework. I do not worship Satan, or any God who is insinuated by the system of recorded history we call Time. Nor do I worship any principle of the Measurement of Law, but this does not mean I am not subject to that Law. I aver that the same applies to all Time Based Consciousness.

***

We muse that the events of The Dark Knight shooting are in fact the emergence of the Leviathan, or a precursor of the same. Take a look at a The Dark Knight Rises poster and compare to the poster of Sherlock Holmes: A Game of Shadows. Remember that The Dark Knight is not falling, he is rising. In Batman Begins, young Bruce Wayne falls into a bat cave. His metaphorical emergence from this cave as Batman is an emergence from below, just as that of the Leviathan. The perspective of the Batman poster is also clearly drawn to create the effect of something coming up from below. You will see that both images appear to depict an emergence of sorts. Notice how the direction of the pistols pointed by Holmes and Watson matches the angle created by the Bat Signal. Finally, consider that the title Sherlock Holmes: A Game of Shadows is a virtual blueprint for the events in Aurora, Colorado. Game and Holmes provide a glyph of James Holmes, the Aurora Manchurian Candidate Shooter. The remaining terms of Sherlock and Shadows translate without much pressure into, say, A Warlock of Shadows, and then into A Joker of Shadows. This is no stretch–the technique is called a lexigram and is used by code-breakers and code-makers to reveal or hide multiple layers of data.

The timing of the shooting is also critical. In his autobiography, Obama relates a dream of a Leopard as a key to his destiny. In The Apocalypse of St. John, we are told a Leopard will rule for 42 months prior to the emergence of Leviathan, at which time the Leopard will be cast into the bottomless pit. Pretty much all of the more ballsy End Times theorists gamble that Obama is the Leopard and that his 42 months end now, at the end of July, after 42 months of Obama in office. The date of the shooting is exactly 42 Gregorian months from the date of Obama’s inauguration. Our investigation of the emergence of Leviathan seems to concur with this line, but there may be another level of subtly.

First, the clues that support the main stream End Times chatter.

Below, in another image from I, Pet Goat II, we see Obama’s steel tipped shoe, and beneath it a Gold Coin that some interpret as the 2012 Olympic medallion. The 2012 Olympics also mark the end of 42 months of Obama presidency. The split apple blossoms into a lotus. Consider the lotus as a mushroom cloud. In the image of the Pet Goat classroom, the brain beneath the chalkboard is split by Lightning as the Serpent Leviathan emerges. There is also a bisected human heart, to the right of the image of the serpent. The splitting Apple tells the same tale. The Apple is that which is consumed by Adam and represents both his heart and his mind/brain. The term of Adam is intimately linked to the term Atom. For newbies, it is no co-incidence that Adam is also Atom. It is a carefully programmed fact, encoded into occult language, that is accepted by Kabbalists and mainstream academic language theorists alike. Thus, the splitting apple becomes a splitting Atom and the blossoming lotus the blossoming of a mushroom cloud. Further detail is found in the name Barack. Barak is the Hebrew word for Lightning. As far as the name Obama, well, I leave it to the reader to sound it out. Finally, we have the 42 symbol for Jupiter. Jupiter is Zeus, the God of Lightning.

Moreover is this detail from The Dark Knight Rises. The colors of the Jersey, Gold and Black, mimic not only that of The Batman and his traditional comic-book Gold and Black Batman motif, but also the colors of a Leopard. The number on the Jersey is 86. To Eighty-Six is a now defunct slang term for nix, rub out, kill or destroy. The combination 8/6 is the date of the first US nuclear attack on Japan. Aug.6, 1945. The football field is America and the values it represents, wherever they may be found on the globe at large. It likewise foreshadows the fall of Joe Paterno, Joe the Father. Paterno’s statue was removed on the same day as the Dark Knight Shooting. July 20, 2012, after 42 months of the Leopard. The old God is dead.

So far, it seems as if the mainstream End Times theorists have got it figured. Full-scale American Holocaust in 2012. I suggest another possibility, which may offer a brief reprieve of promised horrors. In 2006/2007 Rik Clay does a detailed and instantly immortal analysis of the coming 2012 Games in London. Clay ties it all in to the emergence of a New Religion by way of Prince William. He points out that William has his 30th Birthday in 2012. 30 is the age of Christ at the beginning of his ministry. Clay’s evidence does indeed suggest that William is the avatar of a New World Faith, and notes that the beginning of this proposed ministry coincides to the timing of the London Games and therefore, by our investigation thus far, could also be timed with the fall of the Leopard of Revelation. However, by the alternative reading that I propose, the proper appearance of the Beast would be the Accomplished Kingdom, which is a mirror not of the ministry of Christ, but the Crucifixion of Christ. Christ is crucified in the middle of his 33rd year. By this measure, the completed New Age under the mature and 33 and 1/2 year old William would be accomplished at the end of 2015, 3 and 1/2 years or 42 months from Now.

***

The next image is from I, Pet Goat II. The face of the so-called Cosmic Christ has a pyramid for a Third Eye. In this sequence of the cartoon, we see the image of the Serpent, with his inverted pyramid goatee, emerge directly out of this Third Eye of the New Christ. This illustrates the plain 3d upturning of the hourglass, and that the new boss, is the same as the old boss, just like the song says.

But it is the absolute inversion, the involution of the greater system that is most profound. Below, we see the reclining, declining repose of Saturn in his old age. He has an enormous erection. His heavenly hand reaches down from above, out of a spiral, to begin a final act of ritual magickal masturbation. In the tip of the penis lives an Old Witch. Stricken by the touch of Saturn, she is fertile again and gives birth to the New Age at once. In a quick transition from a sudden geriatric menstruation, her water breaks and the Cosmic Christ emerges from her Vulva in a cinematic lap dissolve. See the complete sequence at 4:40 on the video stream.

The image of Saturn as Phallus is also pictured in a plate from M.P. Hall’s Secret Teachings of All Ages called The Ancient of Ancients. In this image, we see The Ancient of Ancients, who can be only the Father of Time and therefore Saturn. Leaping from an opening in his head, an opening that resembles the opening at the tip of the penis, is the Old Witch of Pet Goat, at the beginning of her reign. In the description of the plate, this woman is described as a “mysterious dew that gives life to the spiritually dead“. An examination of the complete I, Pet Goat II reveals semen stains all over the landscape and interior wallpaper of the Old Witch’s abode. Dew, yes. Mysterious, not so much. Life giving, yes, but only as static recreation of a worn out principle. On the pillars flanking the Ancient of Ancients we see two hexagrams formed by overlapping inverted triangles of black and white. The points of the hexagram form a hexagon which in turn form the outline of a 3d cube in 2d relief. The hexagram, the hexagon, the cube, the box, the Kaaba. All symbols of Saturn.

Back in I, Pet Goat II, in the wake of Cosmic Christ’s Barge, we see the image of a distorted Devil Face in the shimmering ripples of water (the Barge appears at the tip of the Devil’s chin). Please note that the top of this Devil Head head is open, seen as the reflection of the mouth of the cave. The head is open just as is the head of the Ancient of Ancients. The Devil Face appears to fade away but is quickly resurrected as the drooling, proud and gleaming Clitoris of the Vulva from which Cosmic Christ finally emerges and awakens. Watch the video sequence from about 5:40. You will notice that the image shakes and distorts inexplicably. This is a dirty tick. A hypnotic trigger.

The final birth of Pet Goat’s Cosmic Christ is the completion of the insinuated Goat in a Box seen in the title sequence, the box in turn is a symbol of the Kaaba Kissing Corner. The Christ has not in fact emerged at all. The spirals seen in eyes of the Pet Goat of the title sequence are a hypnotic dream–the delusion of a transformation of emergence. It is all a bad dream. Further reinforcement is found in the fact that the cartoon Cosmic Christ enters into a mouth at the beginning of his final passage, but emerges from a vulva, which hints that this birth is a corollary to an act of ritual oral sex, an involution of the clitoral Kaaba Kiss. By the same math we can deduce that the Cosmic Christ of I, Pet Goat II is no more than the inversion of the Old Witch, and that in 2000 years or so, we will all be watching I Pet Kitty, Too, which will depict in virtual real time 3d glory an Old Warlock imprisoned in Cosmic Womb–the Womb which is the Mind of Saturn, the principle of creative authority. His final ejaculation will propel him forth from the Womb as as New Woman, and we’re right back to The Ancient of Ancients. Old wine in recycled bottles.

***

This may get a bit spacey, but please hang on, because it is the crux of the argument. We will expose at last the complete nature of the Saturnine inversion and involution by a comparison of the topography, the geometry of the hourglass, with the topography of the moon of Saturn called Iapetus. What will be revealed is that the impending Saturnine shift is not only an inversion of the hourglass, but in fact turns the hourglass inside-out.

Kubrick’s 2001: A space Odyssey is a masterstroke of Saturnine predictive programming. What is special about Kubrick is that he completely controls not only the final film product, but also each and every detail relating to release, publicity and cross merchandise. The original ending of 2001:ASO is fabled to take place near Saturn, not Jupiter. We are told that a mock-up of Saturn could not be effectively produced and that Kubrick opted for the implication of Saturn with the inter-title of Jupiter and Beyond the Infinite. This rings deeper when we read Clarke’s novelization of 2001:ASO, which culminates near Saturn, on the moon Iapetus. Many dismiss this concurrence as an artistic divergence by Clarke from the movie screen play, or a divurgence by Kubrick from Clarke’s ideations. Nothing could be farther from the truth.

The Millennium Hilton Hotel, which was designed and named for Kubrick’s 2001 Monolith, perches over Ground Zero, Sept. 11, 2001, to prove once and for all that the proper Millennium begins in 2001, not 2000. The first year is always the Year One, not the Year Zero. Good seekers have conflated the presence of The Hilton at Ground Zero with the image of the The Tycho Excavation from 2001:ASO.

A quick refresher on details linking Kubrick movies to the events of 9/11 is helpful, and fundamental to readers less familiar with this type of occult investigation. Here is a section quoted from a previous investigation at this blog, concerning key clues 9/11 clues from The Shining.

The first clue is given when Jack bounces the tennis ball. The image begins centered on Jack’s typewriter and widens out to the Colorado Rm. We hear Jack’s ball bounce a total of 11 times. The first 9 bounces are contained in the widening shot that begins on the typewriter. The next 2 are heard after the cut to behind Jack. This configuration gives 9/11. Next to the typewriter are four sharp pencils pointed at the Navajo “rocket mural”. The typewriter is an “Adler”, which is German for “eagle”, and it bears the crest of an eagle with its wings spread wide in the manner of an airplane. My contention is that the pencils and the rockets on the mural represent missiles. The symbol of American Airlines is the “Eagle”. American Flight 11 was the first Tower strike. Older typewriters did not have a key for the number “1″. Typists would use the lower case “l” for a “1″. This adds a double pun to the meaning of Jack’s manuscript, by way of a homophone. ”A-11 (All) work and no plane makes Jack a dull boy”. Thus I discern that the eagle/airplane image on the typewriter is analog to the “script” of 9/11 and the four pencils represent the truth of it, the “blueprint” of the plan. Missiles, not planes.

The second clue is found when Jack first visits the Gold Room. There are two cash registers behind the empty bar. Here, I must remind of Kubrick’s connection to IBM, who were expressly thanked in the now removed original closing credits to 2001:ASO. Also, consider the natural conflation of IBM (makers of cash registers and other “business machines”), with the WTC complex. For most of the 20th Century and right up to the milennium, IBM utterly dominated world business tabulation systems. The critical value of IBM systems to say, the NY Stock Exchange (housed in the WTC complex), is over bearing to say the least.

In the Gold Room, the bar-back is illuminated with 20 panels of light: 9 interior panels, forming three sconces, and 11 frontal panels, which yields another 9/11 glyph. I infer that the two “registers” stand in as WTC 1 and 2. And I needn’t remind of the position of the Millennium Hilton Hotel standing next to the “event”, which design is an open transmission of Kubrick’s Monolith. I wonder what is in Rm. 237 of that hotel?

The third clue is introduced in the form of a riddle: who are the twins that are not twins? Why, the WTC buildings, of course, completed two years apart. But another more potent answer is: the twins from The Shining, which may or may not be twins but are certainly sisters. The young actresses are twins, we are told, but the characters they portray, like the children of Grady described by Ullman at Jack’s interview, may be 8 and 10 years old. They look like twins, but like the Towers, are two years apart. You may also note that one is slightly taller than the other. The images of their dashed bodies are that of WTC 1 and 2, and as it does with the girls, the evidence disappears into thin air, just like pictures in a book.

The final clue must be seen to be believed. You will note multiple hidden reference here to 2001: ASO. The term “Odyssey” is featured on a poster for a construction site. The architect is a “Frank Lloyd”, which gives “F-loyd” or “Floyd” as in “Heywood Floyd”. There is a motif regarding the space program. More subtle: the repeated reference to hollow “Bricks”, a German “drummer” who backed the Nazis (Kubrick is an amateur drummer and collector of Nazi artifacts), and the intriguing fact that Mel Brooks, producer of Get Smart, says his favorite movie is Dr. Strangelove.

(End of Quoted Section)

The quoted section, along with a good deal of other work at this blog, goes along way to solidify the connection between 9/11 and the Kubrick ouvre. To conclude the present investigation, we tie these 9/11 codes to The Stargate of Saturn and its weird moon called Iapetus.

The character of Wendy, from The Shining, is discussed by many fine researchers as a simile of Wendy from Peter Pan. Pan’s Wendy is told that the direction to Neverland (Nowhere Land) is “second to the right and straight on ’til morning“. This is further implied in the work of Kubrick researcher John Fell Ryan, who has discovered that when the screen is divided into a nine-fold tic-tac-toe pattern,escape hatches to safety found by Danny and Wendy in The Shining appear uniformly in the upper right section of the screen image. Upper right is interpreted here as second to the right with the 12 o’clock position serving as as the first position.

As we continue, please keep in mind that the real tsunami of reported synchro-mystical phenomena begins in close conjunction with the study of 9/11. Synch superstar and founder of the massive Synchromystic Forum, Jake Kotze, begins his research with a direct study of 9/11, which he quickly identifies as the pinpoint source of a positive Stargate transition. Kotze also links the practice of Masonry and the Saturn Cube/Box/Kaaba of Mecca directly to the Stargate phenomenon. These facts are of the utmost importance, especially in the light of 2001:ASO and The Shining as they encode 9/11.

2001:ASO is sourced from a short story called The Sentinel by Arthur C. Clarke. In 1977, openly public and unabashed Freemason and film maker Michael Winner releases his film The Sentinel, which explores the changing of the guard at the gates of Hell. There are many intriguing similarities between Winner’s The Sentinel and Kubrick’s film work, particularly Eyes Wide Shut and The Shining, and an in depth study is worthwhile. For our purposes, we hone in on the upper right/second to the right indicator as the complete revelation of the factual nature of the Saturnine Stargate Leap and/or the Christian Rapture.

In two images we see the camera pan from a look across the Hudson at the Twin Towers moving rightward around to the ivy covered apartment building where the movie’s heroine will finally take up residence as the newly minted Guardian to the Gates of Hell.

In the next image, in an apartment directly below the window position of the movie’s currently in-house Guardian and Sentinel, the hero gazes into a book (on the window sash) that the heroine has declared has “all the same pages“, just as the manuscript of Jack’s novel in The Shining has all the same pages. As we have discussed, Jack’s manuscript and its location on his desk are chock full of 9/11 symbolism. In the same image from Winner’s The Sentinel, the tic-tac-toe section of upper right/second to the right/escape hatch/stargate, to the right of the window casement, is a hexagonal corner that obscures a plumb-line view point of the Twin Towers. The nature of this Stargate as a) Saturnine; b) the Bottleneck of an Hourglass and, at last; c) the Gateway to the Updated Version of Hell is now firmly established.

As already related, 2001: ASO is Kubrick’s chief cypher of 9/11 and we may also infer from the secreted history of the movie’s production that the original intention is for the closing events of the film to take place on the moon of Saturn called Iapetus– events which unravel David Bowman’s final leap through the Cubic Monolithic Saturnine Birth Canal. At long last, we can see how the upturning of the hourglass in 3d becomes, in the added dimensions of Time, an hourglass turned inside-out.

Below is an image of an hourglass, then Iapetus. The upper chamber of the hourglass is seen inside-out as the upper hemisphere of Iapetus. Likewise, the lower half of the hour glass is also inside-out, forming the lower hemisphere of the planetoid. The bottleneck of the hourglass is inverted into the pronounced ridge or bulge that circumscribes the complete equator of Iapetus. Faint in the image, the ridge is 13km high. Such is the absolute value of Revelation, of the Apocalypse, and of of The Great Stargate Leap to A Golden Age of Enlightenment, or on the other hand, the fulfillment of any Traditional End Times Prophecy one might prefer: that the World is turned upside-over and inside out. All of the parts are the same, just in a different order. And all of them glorious “parts” coming straight out of the Third Eye of Saturn like a smarmy spasm of recycled seed.

Saturn. Cronos. Sin-Cronos. The Ancient of Ancients. Some call him Satan.

That Is All.

2012-10-03 21:17:26

Source: http://wrongwaywizard.blogspot.com/2012/07/you-are-here.html

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